Between the words

This long absence has been a different presence. In the real world, there are names, identities, responsibilities, deadlines. Even if I'd rather be exploring experiences in self-reflective words, flights land and drafts are due and the world, my real world, spins on by. For a while, it's easier to just spin along and see what we churn up together, the real world and I. So far, there's this:

Quit my job for a degree in writing.

Learning that I get annoyed -- extremely, justifiably, so -- when people come up and talk to me about this blog.

I don't care who you are. This blog is not a communication from me to you. It is not a means to solicit your opinion of my life or actions. It is a collection of personal reflections, some more foolish than others. If you'd like to discuss them, leave me a comment. Don't, under any circumstances, say -- "Hey, I read your website and here's what I think!" If I wanted to initiate a real-world conversation with you on the subject, I would have.

The difference between a hyphen and an em- dash. Yay grammar!

Realized that I still think of grammar and finances only in French. I can't explain English tenses, but I'm your person if you want to learn about plus-que-parfait. Ou la bourse.

And most of all, this:

Accepting that this blog is probably going to stay quiet for a while longer. As I transition to a full-time career as a writer, work and life aren't as separate as they once were. Words distinct to each are sparser, and I'm still thinking through where the common ones should go.







  

Dream a dream

In the dream I stood by a beach in what was a bit of an adventure. After classes at college that day I'd taken a walk to the beach, a short walk to a famous place. I lived in a land where I knew the language well enough to speak it, be heard and understood, but not well enough to call it my own, my mother tongue. The beach was everything promised. Fabled pillars of ancient stone, steps down to the crashing waves. I stood for hours, watching the stones turn to rose and gold, the beach turn dark and the steps recede to grey echoes in the dusk. As I climbed back up, the waves were already washing over the lowest few.

I walked through the tall pillars, up and down flights of stone stairs, past huge doors bolted many years ago to block out wanderers from the present (I'm not sure such a ruin exists at the beach in reality, since I've never been there). And I was lost. I couldn't find the short walk from the campus that I'd taken, and the unfamiliar roads were deserted. Not a soul on the streets, no transportation, only locked doors. This is where the dream gets a little fuzzy. I could speak this unfamiliar language to the people I met, but no one understood me. I managed to find a rickshaw who offered to take me home for an exorbitant amount of money. I got in, only to find the driver had other plans. I'm not sure quite how I managed to get him to take me back to the ruins. Somewhere there I thought I might find a safer alternative. It was a popular landmark, and I could call someone to come pick me up, at least.

So I called him, the person I had moved to this city for. Terrible cell phone reception, and he didn't hear or understand anything beyond that I had gone out, and would be late getting home. He wasn't curious or concerned. After a long while of fidgeting with the phone, I called my mother, and she could barely hear me. It was even later, and I was sobbing-screaming by now. "I don't know if you can hear me. If you can, please call a cab to get me home and let _ know I'm okay."

I don't know how the dream ended, if she heard me or the cab came. I don't know if in my sleep, I found home. I do know that I didn't understand this yesterday, though it has lingered and weighed me down since I woke. Since I woke, I'm still not home. I have not been for a long time. And only now do I have the words to voice this.

Our conversation this morning makes it clear. I live in your world. Even this far from tradition and native tongues, I stepped into your world five years ago. I don't know if you are aware of this. But I live in a world where the only resolution is what I think your father's way was- one of non-communication, unilateral decisions, wall-building, hurt fostered by an absence of words, an unwillingness to work past hurt to heal.

This is not a world where my words will help. I can speak the words of this unfamiliar language, but should not expect to be heard or understood. I can try to find help, even pay exorbitant amounts of money for it. But this help will not take me past the ruins. I will find myself here, time and time again, in space framed by locked doors and formidable pillars that have stood for years. Make no mistake, it is a beautiful place. One where the waves crash over weathering steps and water, light and wind make a world of wonder every sunset and sunrise. It is paradise, for a few minutes each day. The rest is dark, towering, walls I crash into  when I try to feel my way through or out.

Only after our conversation do I understand yesterday's dream. And here is my solution of sorts. While in limbo, trapped in your childhood, I revert to mine. Write down fights verbatim in an effort to logic them out. Listen to the other person without judgment. Use words to understand first, not express. Don't change things you don't understand. Do these things and insight will come, as sure as wind and night sky.

There's a somewhat silly poem in a children's book I particularly love. It's a little reminiscent of the Alchemist to me, the part where the boy calls on the sun and wind and cloud and they answer. But they are only to be used when you know, completely, who you stand with, and what you stand against.

"With _ in this fateful hour,
I place all heaven with its power,
And the sun with its brightness,
And the snow with its whiteness,
And the fire with all the strength it hath,
And the lightning with its rapid wrath,
And the winds with their swiftness along their path, 
And the sea with its deepness, 
And the rocks with their steepness, 
And the earth with its starkness,
All these I place,
Between myself and the powers of darkness." 

(A swiftly tilting planet, Madeline L'Engle)

A few silly words, yes. But they give me comfort as I live this dream. Perhaps there will be others when I wake.

The promise of yesterday

Tomorrow is ethereal and familiar. It shines on horizons, shimmers just past fingertips, glows in morning light and casts pearly sparkles of future bliss in your eyes today. Tomorrow's promise is flimsy as air, vanishing like mist as the sun rises over the ocean.

Yesterday is what remains. Like stubble that leaves your skin raw, like the warm smell of a lover's skin that rises up in your mind the next day. Like thorns prickling in the crook of your elbow, like old aches that stab your flesh when it rains. Like the feel of an old gift against your skin, like healing bruises that catch the nip in the air today a little harder. Like breath catching in your throat as you remember. Yesterday is forever, regrets and all. Yesterday promises that you will remember pain, know fear, be fearless. Yesterday promises to remind you that you are wiser, and you may even be braver by tomorrow.

Get the coffee to go

Show me a person who's good at "networking", and at least half the time you can be sure you're looking at someone who has learnt how to talk to themselves in private- In parking lots, restroom stalls, broom closets and for those lucky enough to have them, office with doors that close (and aren't made of glass).

What they say to themselves you may never know, and it would be rather self-defeating to spend this post telling you what I tell myself before I must do this thing called being nice to people I don't know very well. Instead, for my own reference and possibly yours, a list of things to remember (this may or may not be the list you read to yourself before you open that door) about networking, in no particular order:

• Note from an incredibly wise person, read by twelve-year-old-me, paraphrased from memory: "Introversion is a form of a vanity. It means you spend more time thinking about yourself and your reactions than you do about other things/people."  
• Networking isn't about "putting yourself out there". It's about opening the doors so other people can step in if they choose. 
• Most people love to talk about themselves (introverts included. We're often the worst offenders). Ask about them. Learn who they are. Genuinely want to know this other person.
• Just for a while, forget your frame of reference. Know them from their shoes. When they offer a bit of themselves, receive it gracefully. Graciously. Not with, "Oh, interesting, because I feel the same way/disagree/think that..". Just "Interesting, tell me more about.."
• When they feel comfortable, they will want to know you too, this person they have let in. Then you have a connection that works- a "network" of two, if you will. 
• Networking is about believing that just for a little while, you have a dream that is strong enough to push you past the limits you've set for yourself. You have to "want to fly so much that you're willing to give up being a caterpillar." Yes, it hurts, and so what? And yes, your dream may crash and die tomorrow. But for now, it is here and alive, so give it a chance.
• Networking is about knowing that you, the you that wants whatever it is you're reaching for, is (most likely) going to be in a better place than the you that would rather curl up on the couch with the ice-cream. 
• Sometimes, before you take that call/ pick up the phone/ answer that email/ open the door to the meeting room, networking is just about telling yourself to just do this now, and tomorrow, tomorrow you can get the coffee to go and not speak to a soul, and today will be just fine.  

How you read me

I'm reading a book about how we, as readers and writers, read stories. The writer describes the process of reading in metaphors of painting, moving through landscapes physical and emotional. He recounts Anna Karenina sitting on a train with her book, how she jostles back and forth between the world of her moving train and her book until the book story grows strong enough to pull her into it, away from her own. I, of course, read this on my own jostling, moving train ride.

He writes as a writer who reads, weaving words through classic essays and novels to tell a tale of how we write. He tells of his own journey from naive writer to sentimental and finding equilibrium between the two. Somewhere, this swing of his narrative echoes my own. Reading this is a bit like walking a long trail and finding a little pile of stones that says someone else was here.

And somewhere in this arc it is no longer I who read the book, but the words that find a part of my journey. They name this road and its travelers with their meaning, and in this naming we are read, and we are known. In this knowing I read, and find a self in the words.

 (the book: 'The naive and the sentimental novelist', Orhan Pamuk)

Success

"To leave the world a better place/ Whether by a healthy child, a garden patch, or a redeemed social condition (...) this is to have succeeded." -Emerson

I firmly believe that each of us can (and perhaps even should) aim to do all three. The important thing to remember, however, is not to try to do all three at once.

Life is a little confused right now. Usually, I'd come here and attempt to write the dilemmas to a solution, but this one time, there is no clear single road. The decisions are all mine as are the consequences. For the first time, I'm struck by how little free will I've exerted in my career choices thus far. Voiced preference and attempts to go certain places, of course. But never before have I placed one definitive step before another, knowing that there can be no going back, not entirely knowing what lies ahead. (or perhaps I have, and only did not have quite as much riding on my shoulders as I pushed my feet  off the ground.)

In any case, there is confusion, unrest. I visit this space often to find the second sight I named this blog after. And I visit, and read, and feel a little more at peace. The only decision I can try to make is to do less harm, with every step and every choice. Less harm in every way. To relationships, to family, to people unknown. To myself, physically, emotionally, intellectually. To the earth, in this 50 miles of it that I cross twice each day. Less harm  and more peace, with every action. So I read this little prayer for peace below and need no other words, just for a little while.

Pray for peace

Pray for Peace (- Ellen Bass)

Pray to whomever you kneel down to

Jesus nailed to his wooden or marble or plastic cross,
His suffering face bent to kiss you,
Buddha still under the Bo tree in the scorching heat,
Adonai, Allah. Raise your arms to Mary
That she may lay her palm on our brows,
To Shekinah, Queen of Heaven and Earth,
To Inanna in her stripped descent.

Hawk or Wolf, or the Great Whale Record Keeper
Of time before, time now, time ahead,
To terriers and shepherds and Siamese cats.
Fields of artichokes and elegant strawberries.

Pray to the bus driver who takes you to work,
pray on the bus, pray for everyone riding that bus
and for everyone riding buses all over the world.
If you haven't been on a bus in a long time,
climb the few steps, drop some silver, and pray.

Waiting in line for the movies, for the ATM,
for your latte and croissant, offer your plea.
Make your eating and drinking a supplication.
Make your slicing of carrots a holy act,
each translucent layer of the onion, a deeper prayer.

Make the brushing of your hair
a prayer, every strand its own voice
singing in the choir on your head.
As you wash your face, the water slipping
through your fingers, a prayer: water,
softest thing in earth, gentleness
that wears away rock.

Making love, of course, is already a prayer.
Skin and open mouths worshipping that skin,
The fragile case we are poured into,
each caress a season of peace.

If you're hungry, pray. If you're tired.

Pray to Gandhi and Dorothy Day
Shakespeare, Sappho, Sojourner Truth.
Pray to the angels and the ghost of your grandfather.

When you walk to your car to the mailbox,
to the video store, let each step
be a prayer that we all keep our legs,
that we do not blow off anyone else's legs
or crush their skulls.
And if you are riding on a bicycle
or a skateboard, in a wheelchair, each revolution
of the wheels a prayer that as the earth revolves
we will do less harm, less harm, less harm.

And as you work, typing with a new manicure
a tiny palm tree painted on one pearlescent nail,
or delivering soda, or drawing good blood
into rubber-capped vials, writing on a blackboard
with yellow chalk, twirling pizzas, pray for peace.

With each breath in, take in the faith of those
who have believed when belief seemed foolish,
who persevered. With each breath out, cherish.

Pull weeds for peace, turn over in your sleep for peace,
feed the birds for peace, each shining seed
that spills onto the earth another second of peace.
Wash your dishes, call your mother, drink wine.

Shovel leaves or snow or trash from your sidewalk.
Make a path. Fold a photo of a dead child
around your Visa card. Gnaw your crust
of prayer, scoop your prayer water from the gutter.
Mumble along like a crazy person, stumbling
your prayer through the streets.

As it begins

This year began for me with a sunrise hike up a mountain- one that is only about ten miles away from where we live, with a gentle yet unrelenting incline up winding paths that lead a little over 2500 feet over the bay. A hot breakfast and an unexpected dessert, as the restaurant handed out freebies to mark the day. Follow that up with a relaxed day of long naps and lazy reading.

And I wish the rest of the year is marked like this day - small challenges to keep us active, unexpected sweetness,  much rest and many good words.

Perfectly irrational

Be warned, this post is a several years-overdue rant about a book I hated the first time I read it. There, now it's out.

I'm an indiscriminate lover of words, and I will read anything, almost. Even as I crib about a horribly written novel, I will finish reading it- its an instinct something like being unable to take your eyes away from a train wreck or a massacre. Given this, it takes quite a bit to make me stop reading an award-winning book that comes highly recommended by several people with impeccable taste.

It's got a fantastic story. A boy and a little zoo adrift in the Pacific in a  tiny lifeboat. You know the one, don't you?

A completely unbelievable story, of a boy and a tiger and their strange names and even stranger relationship. That I found completely plausible. But I've never heard a government official or a hotel concierge in India use the word 'bamboozle'. In fact, I've only ever heard it used in the most amused contexts, always with implied humor. Never met a Muslim man or woman with the name Kumar. Never, ever met a child of less than ten who "loved religion". Loved God? Possibly. Loved temples, or churches, or rituals? Certainly. But "I loved religion", coming from an eight or twelve year old? No.

Add to that a semi-traditional mother and a liberal/ atheist father in South India. Expect that these parents will be accepting of their ten year old running off to namaz or confession or pray endlessly to the deities of three religions. Once again, no and no. Add to this the thirty chapters of introducing animal behavior, which are essentially a schoolboy's essay version of Gerald Durrell's theories on zoos.

And even if I were to believe it all, pretending it part of some magical adventure, there is no narrative spell strong enough to pull these incongruous threads into that little boat. Even with my meager editorial skills, I could have cut every reference of religion out of the book, and it would still be an amazing story.

That is to me the part that hurts the most. If the unneccessary words hadn't gotten in the way, this would be an even greater story than it is. The book, as a whole, feels like an attempt to make a perfect line through a perfect circle in an even hundred chapters just went terribly wrong, adrift on choppy detail that nearly drowns a story that really will make you believe in God.

Just this once, watch the movie instead.

(In case it wasn't clear from the annoyed introduction, I did actually, finally finish reading the book this week, on the third try.)

Tourist

Screaming at someone who doesn't understand what I say is rather like being the annoying tourist who thinks if he/she just speaks loud enough, the locals will understand.

Raising my voice doesn't automagically improve the way my words reach you. A different communication must stem from training my words to find a path through the landscape of your experience and understanding. Screaming is hacking a path through the woods with fire and wood choppers, communicating might be hands gently pressing the undergrowth apart to make contact with the understanding earth beneath.

But so heavily and intensely, this relies on the faith that you, the local, are in this with me, trying to figure out this path together with the least destruction to whatever's blocking us. I have to trust that you aren't smirking at my dumbness in your world, understanding my words but pretending not to because it suits you, not because if you pretend to not understand then I'll stop trying, stop forcing paths that you don't particularly like.

Death

Don't worry, this isn't the start of a sixteen year old's poem with a Big Noun title. It's a simpler question.

Suddenly death seems to loom larger in my life- people around me are growing older, and bad things tend to happen to grown-ups rather often, it seems. There are accidents and cancer and scary diseases that go undetected, and in the last two years, five people I shared different parts of my life with are gone. Relatives, teachers, friends, acquaintances. And there are those that count their lives in the ticking clock of chemotherapy.

And I'm curious, how do you deal with it? Do you hold the ones near you closer, do you feel icy fingers slipping over your own time on the planet? Do you race faster to the end, since you don't know quite when it will be? Do you belittle your own problems in the light of these bigger ones? How do you honor their memory and make them count without losing a little of yourself in this slip-sliding count-up or down or whatever it is you call the march of time?

At a conference this week, I learned it is best to use quotes from sources sparingly when one writes. Use your own voice, said this best-selling writer of sixteen books. In the particular anecdote I'd like to put down today, I am not sure whose voice echoes the strongest.

At sixteen and a half, I doubt it was mine. There were so many- friends who had got into colleges with fancy names, friends who knew precisely what their career path was going to be. Parents who distressed over what I was doing with my life. Teachers who did a double take when I said I was going to study English. I was confused, and angry, and had heard enough of other opinions and words. She called me out from where I lingered at the back of the group, and asked what I was going to do in college. She was the first person who said to me, "But of course you should be a writer."

She told me I was "confident and poised and warm"  - though which sixteen year old ever is? We reconnected fifteen years later. She was no longer teaching at my high school. She had moved, from Bombay to Delhi, and in response to my message said, "Of course I remember you, and I'm so glad you are a writer now." She was, even after all these years, the teacher who could bring out the best in her students with just a few words. Her daughter, a few years older than I, was married with a toddler.

My teacher herself was battling metastatic breast cancer. 21 infected lymph nodes. I know the odds. But still, I wasn't expecting her to be gone in these few short months. Just like that, no responses, and a message from another teacher saying she is no more.

The memory of those exchanges now weighs a little heavier on my days. Without her to share them, I must remember, all on my own, that of course I must be a writer, and I can be confident and poised and warm. And so I try to raise my voice and lift my words to match her graceful spirit.

Losing sleep.

Some tell me I push too hard, too much, too often. Remember to relax and re-charge, they tell me. Mother, husband, friend, acquaintance. There are many voices in my life that remind me to do this. To stop pushing and striving and demanding and doing, and learn to wait. To give things time, and let them take their own time.

And still there is a whisper beneath them more insistent that will not be stopped. It comes to me at night when jagged bits of un-reasoned life poke me awake, remind me that there is less time than I think, and more   I must do, and perhaps, if only I do the more, the pieces will fit. And the whisper reminds me always of those who didn't have, who couldn't, who weren't as fortunate, who fell, who died. Like this name I removed from an e-mail list today.

I had only heard it in passing, and looked him up to update his address. Freelance science writer for Scientific American and others. Author of one book. Dead by his own hand at 31 last year.

The easiest thing to take and the hardest to give: Time.

Like green

Like sun-filled trees, like the lights on a long drive home, like the parrots that shriek against the sky by the bay as you walk to the train. Like hearing what you've waited years for. Like being able to ignore opinions that wait to lunge down your throat. Like knowing that you are, that you can. Like being able, just for a day, to be anything you want to be, and anything is everything that you wanted and you can, in fact, have it all.

Like knowing that the earth you toiled and worried and broke your heart over and hoped, hoped beyond hoping that it existed is now. Like having all the answers, and all the answers are yes.

Some days can be like this. And I hold their glistening hearts against my own as a reminder that green gives way to fruition, all warmth and effort congealed in some glorious unknown yet-to-be that I must trust will come. It must, with all this green.

Friend

In a room full of people, my attention is drawn instantly, inexplicably to the one with the stories. I see it in her eyes, in the way she holds my gaze when she asks what city I come from. We are very different, she and I, but I lean into her story as she does into mine.

I ignore the girl who comes to my dance class, slightly too content with her life that is so similar to mine. I ignore the girl who sits back with a polite smile that tells me she hasn't thought of a different life. At dinner this weekend, I realized how the people I am closest to aren't those who have learned to be content with their lives and pick out the prettiest dinnerware, but those who still struggle some deep unknown internal fight to BE.

Be someone bigger/better/stronger/fuller/greater/quieter/louder. Be more than just what they are. And it is only in this particular being that they somehow are completely present, a little off balance with the awareness of this edge of something more, something waiting.

In thinking back and forth, these are the people I am drawn to. The ones with stories, who have flown through personal storms small or large, only some of which they choose to share with me. But I can tell, when limbs and smiles are curved with the strength of a survivor, when a question draws me in on a secret flight through a high desert wind and it tastes like thirst and pain and growth and just a little bit of knowing, knowing that you and I might have traveled different roads but still, we have traveled. And we remember the journey and how it changed us.

Mountainspeak

Not all mountains speak with the sun-warmed nurturing voice of the earth. Some rise up to trickle glacial fingers down your spine as you walk in their midst, reminding you that you never were truly one with them. Some speak alien mother-tongues and demand your attention. Some thread fear through every step as forest undergrowth towers over your head, scrapes your skin and leaves you with a vague, irritated itch.

We walked several miles through these mountains, a group of people who have grown together and apart and still together again. I am still figuring out how we mesh. We hold each other close in heart and geography, speaking constantly of times we were warmed by our togetherness. And some of these words turn my heart to ice as I determinedly forget the lies. And some of these words remind me of our differences. And some of them thread fear through our collective walks, as my mind turns all of our past exchanges into a forest of words that scrape just under my skin.

But still, the mountains are filled with light and color. Not all mountains speak in warm, earth tinged tones. Some speak with the voice of light filtering through wind-rippled leaves, lifting heated exchanges with a fresh take on a tired subject. Some words lie refreshing as ice against a warm palm, as I remember why I grew close to these friends. And some follow our separate ways home like echoes on the wind, in phone calls and photographs and plans for another trip.

Mountains, like people, speak like earth and ice, water and tree. None is any less a part of the mountain because I choose to perceive it more than the other, and each is only one part of the long walks we take together.

I've been meaning not to write.

Littered through my drafts folder are 7 posts between the last one and this. I've been meaning not to write about certain things, subjects I deemed too personal or too repetitive to bring up here, where I come to learn and introspect and scream, and sometimes brood over the ways events may be remembered or forgotten.

And yet, perhaps I should write about these for that same reason. Little significances, like learning the value of a good night's sleep. And a multi-vitamin, and calcium. (Really- whatever else you do or do not do, get your calcium.) Taking five minutes a day to breathe. Taking the time to be kind, rather than being impulsively truthful. (Just because someone asks for the truth doesn't mean they can handle it, particularly when your 'truth' is different from theirs.)
Facing my fears. Having difficult conversations.
Taking big leaps of faith. It will all work out in the end.

Feeling nearer resolution, of what sort I am still unclear. But it makes me stronger, and surer of my actions, and kinder with myself and others. When summer rolled around this year, it still carried the memory of an ice storm in Niagara Falls, and my uncle visiting. And the smell of cherries still takes me back to a dark highway crash in Washington, as does a certain make of car I spot far too frequently on my morning commute. And these small darknesses flicker too strongly through those seven unpublished drafts.

Though it is years since I thought of seasons or events in black or white, this summer has been unusually filled with these shadows, perhaps of change that flits between the bright and dark. Perhaps they only lurk as they wait for a different season, a season where shadows belong and can step into clear light. And when they will, perhaps they will bring explanatory, resolutionary, interesting words with them to share.

I've been meaning not to write, as I wait with open mind and blank space for these.

Haiku day

An unexpected not-quite holiday.
Short sharp bursts of experience-
On a bright day in a city by the bay
Farmers market, right on the pier-
Sun shine on street stalls of trinkets
Tin buckets of spring flowers
Red-white awnings against rippling ocean
Tasting cheeses, a few hours fresh
Smells of food-
asparagus tempura (last of the season!)
ramen, roasting meats
Blue bottle coffee.
A train to take-
but no particular time to be anywhere.
Each moment a little poem in itself.

Go West. Or East.

Considering how advanced technology is and how connected we are and all that, this question really should not be that hard to figure out. I drive a car with not one, not two, but THREE GPS units in it. There's the fancy built-in unit that came with the car. So hoity-toity that she will not respond if the car is in motion. No frantic scrolling through stored addresses as I slow to a stop at a red light. The GPS lady (as we call the female voice its set to) demands full attention- pull over and focus on every non-QWERTY letter on the remarkably insensitive screen if you want polite direction and re-direction.

Then there's the recently acquired smartphone, which deserves a whole other post (I cannot be the only person in the world who misses being able to run my fingers over the keypad to dial without looking, can I?). My smart-aleck phone rarely pays any attention to where we actually are, which makes figuring out how to get to where I'd like to go quite a task. And last of all, there's the trusty old GPS we were gifted when we first moved across the country, my personal favorite. Though she hangs out in the glove compartment mostly unused, guess which one I grab when I must find directions as I drive, or simply want an estimate of a route to jog my memory.

Yet all these devices rarely help me answer with conviction questions like which North-bound or South-bound highway to take, or whether _Expressway East or West will get me from A to B. Though I am growing quickly used to carrying a crisscrossed mental map of typical destinations and highways in my head, it does little to help me find my way home on some evenings.

Driving back from a relatively familiar geography, I pause between on-ramps, unsure which to take. Until I remember that the Sun sets behind me when I take this route on Sunday evenings, and so I go East, and homeward.

Naya lagta hai

My little sister is off to college in a city far from the one she's grown up in. She's started a blog. She's been visiting family, and she wrote recently of watching another cousin, just turning two, and wondering about herself at that age. Obviously, she doesn't remember much.

I can't say that I do either, since we lived in different cities then, as we have most of our lives. But she visited us when she was that age, and I was twelve or thirteen. Across the street from our house in Delhi were three eucalyptus trees planted against a red brick wall that marked the government-run market. Tall, dusky green and white against the red, I painted and sketched them many times over, the view of them from the littlest bedroom in the front of the house.

In strong winds the trees would bend and swoosh in patterns unlike any of the other trees, unlike the neem and kikar and gulmohur that lined the rest of the street. My then two year old cousin had seen nothing like this in her little life, and she ran wordlessly from the window to the back of the house, as far from the trees as she could get. When I followed her in to ask why, the only thing she would tell me was: "Naya lagta hai" (It feels new). Her mother finally coaxed out of her that she was terrified these strange tall trees would fall on the house. Her words have stayed with me all these years, that strange mixture of childish terror and the unintended depth of her words. These trees were not something to be afraid of, just something new.

I've debated with my mother several times over the last weeks why I'd rather she wasn't going so far from home. I can't articulate these fears I have for her, of her finding strange room mates or semi-psychotic classmates, the ache of long-distance heartbreak and the complications of figuring out what love and friendship and other big, strange things mean. I think she's had enough to deal with, and foolish as it is, I'd rather have her somewhere her roommate is someone sensible, like her mother. (Yes, I realize how terribly old these lines make me sound to someone like her, and how terribly young they must seem to mature mothers.) At the end of these discussions, I realize I don't really want her to not experience these things. But for me too, it feels new, to think of my kid sister grown up.

Given the distances, there is little more I can do than wish her well. And so I wish that she holds this memory of her as I do, the little child who wasn't too afraid to say something felt new. I wish her those words with new depth, to hold close to her heart if/when things seem to be too much to handle on her own. I wish her the strength to retreat into herself when needs to, but still look out the window with child-like wonder. And I wish her the faith that there are always people near when she retreats from the scary new things in the world, even if they are only in spirit.

One of these nights

"Someone to be kind to, in between the dark and light"
 
One of the more classic displays of growing older is cribbing about how things ain't how they used to be. But seriously, why does no one write lyrics like this anymore? Some of the best ways to define love and growing up in just a few phrases. Here's the rest of this one:

Catching up

"I once saw a two year old at a fair, wailing and rolling on the floor, throwing a tantrum of her life. Her mom guessed she was hungry. So, she started, “Honey, would you like a banana?” “Nooooooooooooooo”, shrieked the toddler. “Would you like apple sauce?...Would you like to have some cheese...maybe some yogurt.... how about some grapes... would you like to have some milk? Some pasta? Some french-fries? Mac and Cheese? A smoothie? A pretzel? That ice-cream over there?A nice sandwich? Some gummy bears”....
And all the while, the toddler wailed and screamed and kicked and consistently shrieked, “NOOOOOO!”

It seemed simplest to start this post as it began in my mind, with these reflections from my friend. Her words,
in the context of a different conversation with another friend, helped lay at ease several uncertain echoes in my mind. I've written of some of these here, this sudden lack of time and constant sense of being stressed out in my efforts at relaxation. These friends and others have been reminding me, in the sweetest ways possible, to stop trying to do it all. Garden, paint, write, keep a good home, work out, dress well, socialize, work, dance.. my growing list of activities that enrich and rejuvenate the soul have left me only wanting to curl up and whine for a trip home.


Home, as in India. Which I make sound idyllic when it is anything but, which more importantly, feels idyllic. I return from these trips with my soul rested and eyes refreshed, though I could never explain why. Perhaps it is as simple as my friend's observations with the two year old. India does not often give me choices. When I am hungry, there is food. When I must go out, there are a few options for clothes to wear. Rarely is a sari inappropriate, just as jeans are equally accepted (at least in the places I visit). In the absence of a million options to define myself, it is easier to find who I am.  When I can do it all and have it all, it is so much harder to find a comfortable space.

And so, I am learning to find it instead in taking the time to do less. One pot of tomatoes, one of basil. No more. Put away the weighing scale, and picked up my phone instead. Walking as I talk to a friend, counting the good memories and ignoring the calories spent. Ignoring the instructions, skipping a day of dance practice to just lie back. Saying no to contributing to a friend's blog. Eating the rice and vegetables my husband cooked for lunch. Just as satisfying and flavorful as my organic salad was yesterday.Remembering that instead of always seeking silence and time to myself, sometimes all I need is the words of friends like these.

What no-one else has

A series of minor incidents culminated in the substance of an e-mail I received last night. “You’re exceptional”, it began, then continued with a string of cumulative compliments to a group of us before ending with, “it was a tough decision, and I regret..”. As the implications of the e-mail sift through the layers of plans I’d laid out, at each level they cast a familiar echo.

I am exceptional. I am bright and talented, with international experience and a flair for language etc. I could go on for a bit like that, just as the e-mail did. But in the end, the list of adjectives ends with what is not. It fails to mention the one thing I didn’t have that someone else did.

“It’s not personal” (Yes, I know), “They don’t know what you’re capable of” (maybe they do), and “Hey, they're just saying you’re so good you didn’t need that acceptance” (No, they're saying I wasn’t accepted) are the most common rejoinders I have heard when I share this. My family is up in arms, ready to reassure my wounded ego and remind me of something I am not sure I understand- what it is I have that no-one else does.

What makes me unique must be something beyond this conglomeration of facts and compliments. I don’t know if I have an answer to what this is, or if I ever will. If there even is one such uniqueness. For now, I pick up my metaphorical pen to compose a reply. “Thank you for your kind words. And while I have your attention, could you tell me how to achieve _, and point me to resources for _?” For today, what makes me unique is only this, this capacity to reach for answers everywhere and say, “It doesn’t hurt to ask, right?” (even though it does, a little).

Exchange

When I don't speak, it does not always mean my listening is available for you.

When I listen to you, I assume you will take only as much of my attention as I give. You ask for more.

When I give you object X, I assume you will not also demand objects Y and Z.

Perhaps we should have made these rules of exchange clearer. Perhaps I should have named a higher price. Not because I think my attention is particularly priceless or in great demand. Only because I now struggle to regain what I gave thoughtlessly, assuming there was more where it came from.

Sshh

This silence of politeness and distant affection terrifies me, the way it smothers insight and voice in the mind-numbing nothingness of small talk. I feel stripped of familiarity when I hear nothing but echoes of inanity bounce around my head. This is what torture must feel like, I imagine. (cue dramatic laugh)

Forgetting the self, forgetting who I am and what I like in this listening to another's litany. All I want is to scream, to drown these voices out so I can hear my own again. Or simply hear nothing. I don't always need to listen to my own voice either. But sometimes, just sometimes, I want only to be quiet, to hear what there is to hear. And instead there is the TV, and screeching laughter, and endless chatter about what someone cooked today and why a particular kind of paper towel is better than the other.

And so I try this silent shriek. Even if I cannot hear silence perhaps I can drown out the noise. But all I am left with is a toneless arrhythmic clatter that is neither peaceful nor resolving. Even after the chatter has died and the TV is turned off, this echo of my own drowning-out screech remains. Really, all I want is a moment of quiet. To stop hearing myself scream. Perhaps this will take a moment of opening the door to let the echoes out. But I am afraid of what else might come in to take this space I guard so closely.

A little more on identity

I've wondered annoyingly long and hard at what point one stops becoming something and simply starts being it.

Some people define this in terms of education. "I have a B.E, I am an engineer."
Others define it by what they enjoy doing. "I am a singer."
And still others by relationships or circumstance. "I am a wife and mother."

For myself, the dilemma is one of both career and identity. I trained as a scientist for nearly a decade, right until I finished my Ph.D. I have written as long as I can remember. And yet, I feel like an impostor when I call myself a writer. I figured getting published would fix the insecurity. It hasn't. At what point do I stop "becoming a writer" and simply start being one?

Thinking in a quiet place

More than being troubled by the many uncertainties that come with doing grown-up things, I have been troubled by my sudden incapacity to handle them. Where is that confident child, I ask myself, searching constantly for the memory of a self-assured younger self.

Slowly, slowly, I find the answers. That self only emerges when I am quiet, truly quiet. Not just alone, but when I can watch the stillness within and without. When I can spot the symmetry of pine trees silhouetted against a sunset sky as I stand in rush hour traffic. When I remember the reflection of that symmetry in the workings of my body. Like symmetrical sand ripples marked by random waves and wind and pulls of the moon, life has a way of falling into place.

When I remember these things, I find a certain stillness, standing in a place where I know I can make things work the way I used to. Where a single quiet thought cast out, strong and sure and repeatedly, can pull the waves just as surely as the moon, despite summer storms and capricious winds.

A place of unfamiliar words

Finding writers I disagree with on how the English language *should* be used.

Discovering that in a sleep-deprived haze, I can churn out nonsense like "ask questions with questioning wonder".

And type "molecular" when I mean "molecule".

Struggling to find narrative arcs that once curved effortless as.. and what is an effortless curve? A rainbow, a moonbeam, the flight of a bird, the throw of a ball? How do I quantify what makes for great effort?

Stopping mid-sentence because I have forgotten what I wanted to say.

How did I get here, to this place of unfamiliar words? A space where bad writers tell me I am 'finally writing well', a place where I gravitate towards words that I can use to cover up a lack of substance. Where it is better that ten words are used to describe one and we like to line our sentences up in pretty matched bullet pointed columns.

"I don't write for you to read. My writing isn't meant to be a communication from me to you. It isn't meant to idealize anything or stand for anything or maybe even mean very much. It is but a fragment of a moment that changed me."

I wrote those words over fifteen years ago, and I am trying hard to fall back to them. To a place where words led me to greater insight, clarity and conviction. When I did not write by the rule of three. Or even if I did, did not cringe at the words in neat triplets. I like to think I can find my way back- to a point where I did not care who read, or who liked, or who did much of anything else with my words, without Twitter followers or blog-readers or the pressure of creating an online persona that people might like. It is a little disturbing to think that my insecure fifteen year old self had more confidence and conviction and a sense of how to use words well than the so-called adult writer who finds words unfamiliar and sometimes unpleasant.

Perhaps this is only a literary growing up, where I find not all words play well in the sandbox and learn to cross the street if I meet the nasty ones on a dark street.
And once more I leave this dangling unfinished story, an unfamiliar string of incompleteness.

Purpose

The events of the past only fall into perfect patterns when I look at them through the lens of what I want in the future. This perception is a choice. I could equally easily consider the past a random walk unconnected to the present or future.

I could consider it random and conclude there is little purpose to dreams for the future, which is going to be just as probabilistic as the past.

I could consider it random and try and identify parameters to control for the future. From personal experience, I doubt this could ever work perfectly.

And so I prefer seeing these patterns that support where I would like to go. The road ahead is long enough and hard enough without my concocting monsters or simply ignoring what has already happened. Given the odds, I might as well squeeze strength and optimism from wherever I can get it.

Rubberband

A month of not-quite:

Routine
Work
Decisions
Peace
Health
Time
Space
Dance
Food

Too much of some and not enough of others. Too much of the right kind and too little of the wrong. A month of not-quite finding balance, not-quite figuring this one out. I wish I could sit out the next month. Instead, I sneak breaks at work to take deep breaths. I take long walks at home to take deep breaths. And when I drive I watch for sky-miracles of sun ray and cloud, wait for the semi-sign of a song that plays randomly on my shuffling play list.

As if some unique conglomeration of light and shadow, some synchrony of electromagnetic impulses in my brain and my iPod could be signs that someone is, in fact, keeping the balance of the not-quites in some way I cannot fathom.

2011/2012

My husband bought me a fitness tracker for a Christmas gift this year. It marks my steps, the stairs I climb and how well I sleep. It lets me set little goals for myself and chirps out cheery messages encouraging me through the day. I've loved setting goals for myself on the log, walking 15,000 steps instead of 10, 30 floors instead of 20, earning virtual badges for my efforts. This morning, I was amused at the roundness of these numbers, how I like to track my progress in multiples of 5 or 10, preferably both. A nice sense of completion.

But turn the year at its end over in my mind, and how little of it is so smooth and simple. 365 and something days. 12 months. 7 days. 24 hours. Time runs with sharp edges, trailing odd numbers and primes that I cannot parse into quick little pockets of even-sized memory.

Some things stand out sharper than others. People who are not here to ring in the new year, most of all. Their voices bounce around these edges, popping up abruptly at times I least expect. People who may not be here for the next. Efforts too personal to be shared even in this anonymous space. Parents visiting. Being able to afford material comforts that were unthinkable two years ago. Finding, at last, a glimmer of the person I used to be. The one who listened to the small signs the universe hands out, and trusts them.

Time and memory do not come in neatly multiples of 5 and 10. And so there is no measure I can use to weigh one against the other. A dear one's passing against the birth of my friend's child. Spotting a little sign in a car against the years of evidence that something may not work. I cannot track these things, except by running memory's fingers over the uneven edges of the year that was. Treasuring the cracks, and remembering this, an old favorite quote:

"Ring the bells that still can ring
Forget the perfect offering.
There's a crack in everything
That's how the light gets in."

Wishing us all a light-filled 2012, and may the light remind us of good things :)

House guests

Now, I know the way your body relaxes into the couch, the bends of your legs and neck as you lie back to play a game. I'm aware that you're allergic to eggs, and of your firm conviction that traditional foods must be cooked with certain recipes and no other. I've watched your frenzied, last-minute style of packing, the intimate links of your togetherness cemented in these material things. One packs the other's toothbrush, the other remembers to bring the thick socks the one forgets. You, in your turn, remember my anger at being dropped off to catch a flight fifteen minutes after it departed. You remember to save some food for me when I get home, and leave me my space, respecting my home for mine.

I think you would call this familiarity. We have shared a house, shared our lives for a few weeks. Having been fed and watered by one another, our needs attended to and differences overlooked with mostly polite courtesy, we could be said to know one another.

For myself, these facts turn my mind back to other intimacies. The way I know my friend must smile when she sees my little chat window pop orange on her screen. How I know my father will respond to an article I send him. The way my husband and I know what the other thinks in a game of charades or Taboo. The depth of affection in the smallest of our connections. The way our lives resonate with one another,
even if it has been a while since we sat on a couch together, just us and no television.

If wishes were..

'Tis the season to be giving thanks. All my feeds are flooded with the Oscar speeches you wish you'd never heard- people thanking their taps for giving them water and the Tiger for not eating all the Cheetos, and much else. Of course this set me off on my own personal vote of thanks (which no, I shall not suffer anyone reading this to endure).

The list is long, and complicated, and I'm not entirely sure yet whether I am thankful for it all. No, I am not mature enough to see everything in the world as a blessing. Some things just suck, and should never have happened. (That's a pretty easy list to make, perhaps for next year though). But in the middle of it, what struck me was that I was most UN-grateful for my times of inaction.

When I had an opportunity and didn't give it my all. For fear of not having prepared enough(No, I can't pitch an editor with that!). For fear of looking like a fool (No, I will not dance). For fear of failing (What if I suck at it?). For just no reason (Never mind, I'll get to it later). Those are the times I wish I hadn't.

There is only one way to find out if you've prepared enough, if you suck at something or really have it in you to be good at it. Just doing it. And sometimes, when you take that leap of faith and pitch that big-time editor with your completely half-baked story idea, it is followed by absolute panic. But you do it anyway, because you asked for it, didn't you? You work through the half-baked pitch, the 10,000 word transcript and the even less-baked last minute draft. And then, once in a while, you hear something like this:

"We are editing your wonderful (article). Fabulous stuff!"

And it makes you wish, even more, for another chance at all those times that you didn't try.

Reprieve

I used to memorize poems when I was little. Before I knew what the words meant. John Donne and Tennyson and Browning and Keats and Santayana and Gibran. They just sounded good, even though I still don't understand some of them. Here's one, to remind me (and you, if you read the last post), that for every fearsome, loathsome, horrifying, meaningless word, there are so many perfect others.

Simple words, placed and timed effectively, that continue to dance in perfect rhythm long after their writers are gone. Like these: (The brook, by Tennyson)


I come from haunts of coot and hern,
I make a sudden sally,
And sparkle out among the fern,
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorps, a little town,
And half a hundred bridges.

Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.

With many a curve my banks I fret
by many a field and fallow,
And many a fairy foreland set
With willow-weed and mallow.

I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I wind about, and in and out,
with here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,

And here and there a foamy flake
Upon me, as I travel
With many a silver water-break
Above the golden gravel,

And draw them all along, and flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.

I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.

I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;
And out again I curve and flow
To join the brimming river,
For men may come and men may go,
But I go on forever.

Jargonese

I am so tired of big, clunky words.
Some of them are horrid. Pharmacogenomic.
Others are meaningless. Actionable.
And the rest are scary.
Periventricular leukomalacia.
Pulmonary hypertension.

Words bigger than the babies that try to fight these diseases. Words so big they stretch across the country from my friends' lives to strike fear in mine. Words so strong they can make me totter in my confidence at being a writer.

The words we have to fight these things, they are so small.
Hope. Love. Prayer. Faith.
And yet we hold them so, like these butterfly winged little things could flap out all the storms, and keep these babies, these dreams alive.

Anonymous

Words sometimes arrive with long kite-tails of attachment. A second story trails behind the story they frame. The body speaks of experience and reality, while the spirit that trails behind whispers of more.

Here is my story, the spirit-story reminds you. It is a story that will carry you to the farthest shores of tears and inspiration, laughter and love. On winds of kindness and experience, some words fly in like kites from distant lands. Bright and travel-worn, as rich in their living as in the intricacy of their crafting.

Some stories live so truly I wonder how they can bear to remain untold. If they were mine, would I hide them from the world? But they are not mine, and sometimes, perhaps, stories like tired kites only look for a place to lie beyond the reach of the wind.
So I hold these stories close, as precious as the people who share them with me.

Blog-speak

I ran away from home when I turned five. I wanted to find my own way. In a perhaps unique tantrum for a child so young, I was angry with the world, convinced I knew more than the grown ups, that I had it right and they knew nothing (Don't most of us do this at 13 or something?)

At five, I wandered off into the world to pretend to be a grown up who actually knew it all (unlike all the others who had NO clue!). I used big words and wore nice clothes every day. I 'did lunch' with other people who wore nice clothes and talked about value propositions and "incentivizing" projects. I bought a fancy car and dreamed of grand vacations.

You'd never have believed I was only five, honestly. I felt like a 30 year old professional, in my coordinated outfits and pretty red car zipping around like a California girl in the movies.

But even 30 year olds slip into sleep dreams every night- dreams in which they are five, and wandering far from home, and trip in high heels. Dreams filled with simple words, like "writer" and "hope" and "want" and "love", where big words only mess up the patterns. Dream-spaces where there are no slots big enough or complicated enough to fit grown-up things like budgets and therapy and value propositions.

These ideas are far too big for a five year old to handle, even when it's pretending to be 30. So if you're still reading, forgive this blog, while it tries to find its way back. You see, it only turned five last month, and it is still figuring a lot of things out.

My days of late have filled themselves without my noticing it really. For someone (like me) capable of over-reacting hugely to the tiniest annoyance, I would have expected to notice this. The days overflow with tasks at work, chores at home and desperate attempts to organize. Suddenly, I have no time to garden. No time to harvest tomatoes and basil, or watch the chrysanthemums put out new shoots. I have no time to think or feel my way to words in this space.

And yet it is not this lack of time that bothers me, but the abundance of doubt that fills it. Too many conflicting ideas, of what priorities at work should be, of who I am and what I'm doing with my time. Attempting to sort through the tangled skeins only makes me trip over the one thread that holds taut and strong through the mess.

I am drawn back to one of my favorite quotes. To paraphrase, who is the worse off: he who has never seen the light, or he who saw it and went blind, and now only has the memory of light?

Yes, that is an over-dramatic representation of the situation. I wish I had the time, and the confidence, to lay out my tangled web better than this. Perhaps this post is a first step to figuring it out.

Being bold

A task I set for myself looms closer and closer, and I am terrified to do it. It's a simple enough thing: an interview. I've interviewed enough sources to be familiar with the process and know what makes for good material. I'm not quite yet at a point where I can be casually confident enough to pick up the phone to interview someone without stalking them and their work in every way possible.

This limbo paralyzes me with fear. What if she thinks I'm the most idiotic person she ever spoke to? What if she loses her temper and hangs up half-way through? God, what if she asks me if I know the first thing about narrative before she hangs up?

The questions refuse to stop. On the one hand, I want to kick myself for signing up for this. On the other, I refuse to criticize one of the few apparently sensible pitches I made. And so, I am terrified of talking to a writer as another writer.

I think there are two kinds of people who 'get the job done'. There are those who know too little to be afraid, and are enthusiastic enough, determined enough, to just do it, ignorant of what they know not. And there are the battle-weary folk, who've been there, done that enough times to know that eventually it will all fall into place. I stand somewhere in between: too aware and too inexperienced to be fearless. A little knowledge is certainly a dangerous thing, especially when you are the one holding it.

One by one, the stars fade.

Two monks were charged with chronicling the nine million names of God. No one knew what would happen when they completed the task. At the end of their mission, there was no more being to the world: No ideas to conquer, no understanding left beyond the nine million names. And as they watched, the stars began to vanish from the night sky.

I watch the stars fade and dim in these patterns, and think perhaps we have chronicled all there was to this little corner of the universe. I have counted the 9 million names of God to make this work, and now all there is this waiting, this watching the stars dim, this wondering of what universe I must learn to live through next.

What it means

Thank you for sharing your responses, everyone! If you haven't yet taken the test and don't want to read the responses, stop reading NOW :). (The quiz is here)

Read on and drop a line letting me know how accurate the quiz was for you!

In order of the questions, with further explanations/ interpretation in brackets:

The person you're walking with is the most important person in your life at this point.

The size of the animal that jumps out at you represents the way you perceive problems/ challenges in life (the most typical answer is tiger/lion, so scale accordingly if you picked a much smaller animal, like a rabbit, or a much larger one, like an elephant)

The way you deal with the animal represents how you handle problems/challenges in real life. Do you attack it, play with it, stare it down?

The fence around the house represents whether you distance people. If you had a fence, you tend to keep them at a distance.

The size of the house represents your ambitions (Rather obviously :)).

The dining room is supposed to be a symbol of personal satisfaction: If you mentioned food/ flowers/fruit etc. in your description, you're generally a happy, satisfied person.

The material the cup in the backyard is made of symbolizes the strength of your relationship (with the person you're walking with). Typically, the cup is made of china/ porcelain. Stronger materials- wood, metal- imply stronger relationships.

What you do with the cup represents the way you handle this relationship in your life. For example- if you choose to keep it outside your door rather than bring it indoors, it might imply that you don't let this person into your 'inner life'.

Walking on out, the size of the water body is scaled to your 'basal' desires- material, sexual, financial, etc. Here, I think the scale is more in terms of one's own perceptions- did you visualize a small pond or a view of the ocean?

How wet you get (or how close to the water you are) when you cross it shows how far you will go to achieve your desires.

Imagine this.

A pop personality quiz a friend shared with me several years ago. I was surprised by how accurate it was (and still is). Relax, and visualize the scenarios that follow as fully as possible. Don't put too much thought into it- just your instinctive, first response answers. I'll post the explanations in a few days. Of course, feel free to share your responses in the comments, though you don't have to :)


You're setting off for a walk in the woods. Who are you walking with?

As you walk, an animal leaps out of the bushes at you. What animal is it?

How do you react to it?

You continue along your walk and come to a clearing in the woods, where you see your dream house. Does it have a fence around it?

On a scale of 1-10 (5 being average), going from small to large, how big is your house?

You walk into the dining room of the house. Describe the room.

You wander out into the backyard, and find a cup-like vessel lying there. What is it made of?

What do you do with the cup?

Continuing on, you reach the end of your property, where there is a water body. What kind of water body is it (pond/stream/ocean) ?

If you had to, how would you cross this water body?

Of shadow cities

I write frequently of trees, and grass and flowers and oceans. But my roots are in cities, and it is cities that complete my mental landscapes like no other geography can.

Excerpts from books about two of my favorites, New York and Bombay follow. The books also happen to be some of the best writing I’ve read recently, and Shadow Cities, in particular, is a masterpiece on so many levels.

(The books: Shadow Cities, by Andre Aciman, and Shantaram, by Gregory David Roberts)

From Shadow Cities:

Some people bring exile with them the way they bring it upon themselves wherever they go. (..) An exile reads change the way he reads time, memory, self, love, fear, beauty: in the key of loss.

It is difficult to explain what seclusion means when you find it on an island in the middle of Broadway, amid the roar of midday traffic.

Perhaps what lay beyond the trees was not the end of Manhattan, or even Paris, but the beginnings of another, unknown city, the real city, the one that always beckons, the one we invent each time and may never see and fear we’ve begun to forget.

Sometimes finding you are lost where you were lost last year can be oddly reassuring, almost familiar. You may never find yourself; but you do remember looking for yourself. That too can be reassuring, comforting.

Here I would come to remember not so much the beauty of the past as the beauty of remembering, realizing that just because we love to look back doesn’t mean we love the things we look back on.

(..) all these people and all these layers upon layers of histories, warmed-over memories, and overdrawn fantasies should forever go into letting my Straus Park, with its Parisian Frankfurts and Roman Londons, remain forever a tiny, artificial speck on the map of the world that is my center of gravity, from which radiates every road I’ve traveled, and to which I always long to return when I am away.

And a few from Shantaram:

They knew the place in me where the river stopped, and they marked it with a new name. Shantaram Kishan Kharre. I don't know if they found that name in the heart of the man they believed me to be, or if they planted it there, like a wishing tree, to bloom and grow.

I don’t know what frightens me more, the power that crushes us, or our endless ability to endure it.

Every work of art is in some way an act of forgiveness.

One of the ironies of courage and why we prize it so highly, is that we find it easier to be brave for somone else than we do for ourselves alone

The past reflects eternally between two mirrors -the bright mirror of words and deeds, and the dark one, full of things we didn't do or say.

If fate doesn't make you laugh, you just don't get the joke.

Men reveal what they think when they look away, and what they feel when they hesitate. With women, it’s the other way around.

It's a fact of life on the run that you often love more people than you trust. For people in the safe world, of course, exactly the opposite is true.

What characterizes the human race more, cruelty, or the capacity to feel shame for it?

Sometimes you break your heart in the right way.

Wisdom is just cleverness, with all the guts kicked out of it.

Tipping points

A familiar point of amusement for me is the three phases my relationships go through. Most of my friends are people I like instantly and deeply, within a few minutes of meeting them. I go through an initial stage of near-infatuation, where we have long conversations that linger in my mind and the person can do no wrong. On several occasions, I have fought with family and others to defend my friends and their actions. Following this, there's a phase where I find the person incredibly predictable and equally annoying- when I experience something (something I read, or a movie, or whatever else) I know EXACTLY how they will respond. And everything they do irks me.

Beyond this, there is an 'acceptance zone' where people fall in at various levels, a zone where I continue to love them but stop being irritated. I can accept their actions and behaviors as part of who they are and no longer feel the need to judge them by my standards. I like to think these zones are not obvious to my friends unless I mention them- the irritation is as unintended and inexplicable to me as the affection, and though the former passes, the latter persists through the course of these moods of mine. If I wanted to make this sound grander than I think it is, I would probably describe this equilibrium I reach as the point where my heart and brain come together in a relationship- I love, and I judge, and finally reach a phase where I can justify each to the other. (Why do I love this person and spend so much time/conversation/etc. on them? Why do I judge this person unless I care about them?)

The length of the first two phases varies- I remain infatuated with some people longer, make my peace with some sooner than others. But in every case through most of my life, I can mark off the three periods distinctly. I wonder if this is typical? (since of course, this isn't something I discuss with most friends, nor intend to!)

And in a parallel mood, I wonder if my sense of my surroundings is reaching this phase of acceptance as well. First, I couldn't get enough of being an independent adult. Then, I longed for the simplicity and security of childhood, as I (metaphorically!!) held up every cleaning rag and electricity bill and vacation plan to the light of childhood happiness asking, "Really, is this all there is to growing up?" Now, after constantly reacting to nearly everything I encounter, my body and mind are learning to fall into an equilibrium where I can move through my days with ease, and less need to evaluate each move and decision.

Two reviews

A self-absorbed prologue (skip down if you only want reviews ;)):

I rarely write reviews, here or elsewhere. It takes more immediate thought and depth of perception than I am willing to spare for most of what I come across. I like talking about books and movies, but that is about all. Beyond that, I cannot summarize what I read nor answer the question “What are you reading lately?” with a simple title or two. It is easier to say what I am remembering, what words from books or movies or songs I stumbled over previously are most resonant with my present. Two recent encounters led me to write this down, though, and so, here goes:

Not quite magic

Perhaps obviously, the last Harry Potter movie. Perhaps equally obviously, I didn’t like it very much. None of the movies lived up to my connections with the books, though I could never quite put my finger on why as precisely as I could with this last film.

As the better part of two hours flew past on the wings of albino dragons and suits of armor coming alive, the finale was met only with an insipid, not quite heartfelt, “Does it hurt to die?” In my imagination, this is the point where the 17 year old turns to childhood once more and resurrected ghosts offer more solidity than the giant trees that surround him, where the man who has done more than most ever dream of is faced with the last great fear common to Muggle and Wizard alike. On the screen, I see a marginally annoying teenager displaying neither emotion nor much else.

I didn’t quite "grow up" with Harry Potter, reading the first book when I was 15 and the rest along the way. But like my connection with books I particularly love, I remember each encounter like a meeting with a loved set of friends, and could blabber endlessly about personal connections with each one, how I stumbled across the books before most people had even heard of them(Imagine a time when you could walk into a bookstore and ask for the third HP book and be met with “Huh?”)and much more.

Most importantly, like so many other kids/adults fumbling through life, I’ve practiced the spells with Harry and Hermione and the rest. I’ve cast personal Patronus spells at anxious interviews and Riddikulus-ed away nightmares in the dark. I have learned that to use an unforgivable curse, you must mean it, that to transform a mouse into a teacup you must be able to visualize it first.

The books, you see, were never about the magic alone. They were as much about allegory and myth and growing up and finding strength as they were about learning to cast a powerful spell. The real magic was the people in the stories, not the things they did. And the movie, though well-made for a film, fails to capture that. The movie is about the fireworks and the effects, not the maturing of character and subtleties that captured my heart the first time around. It’s like licking the icing off a cake. Though I won’t say no to the icing, I prefer savoring the layers.

Magically real

And secondly, am I the last person to be reading Shantaram? I tend to avoid over-hyped books, especially when they are ‘sold’ to me by eager wannabe intellectualists over late-night bar conversations. And biased as I am in my views, I tend to be wary of books about India. But this- it is rich and layered and magical and familiar, Bombay in my eyes as I read his words. Street-smells rise off the pages and I almost feel the rickety bus and the weight of my bags as I hold them tight. Colaba streets and night-time by the Arabian sea and the ease with which the words flow. The humor reminds me of the cleverness I love about Salman Rushdie, every few lines I come across a turn of phrase or a sentence that makes me want to grab the words out and wave them on a banner that shouts, “Look at this!” and the love that seeps through the words keeps me turning the pages. Even only a few chapters in, I am hooked. And even if the rest of the book disappoints, this I would come back to.

An explanation

Saying a well thought-out "no" is perhaps one of the most empowering acts possible. It takes introspection and deep thought and much courage. Despite my tendency to optimism, I believe the capacity to refuse something is just as essential and important as the ability to say yes. This implies, of course, a certain degree of self-realization and maturity in the person involved. The refusal I refer to is not the childish tantrum of a toddler refusing his green peas, nor the denial of the eternal pessimist who believes nothing is possible.

No is the stand of a person who has seen two paths and made a choice. It is not an thoughtless process- "here I am, let me pick one and see where it goes. Why think about this?", nor is it the un-choice of the person who drifts with the tide, "Yeah, let me just see where life takes me, maybe it will work out." No is the choice of the teenager to stand up to peer pressure. It is the refusal of a person to take on more work to keep everyone around happy. It is the stand of the woman who is not afraid to take time for herself away from her family. It is the choice of the person who refuses to bend to circumstance just because it exists.

Just as important as voicing the refusal is enabling another to voice it. Perhaps the parent who has raised a child capable of saying no is a better person to explain this. In my mind, raising someone to a level of self-awareness where they have both the knowledge and strength to refuse something is an act of power. This is not always welcome, of course, since any extreme growth comes with pain. And even if the refusal is directed at the parent/ teacher, there must be, somewhere, some measure of pride that they have raised a human being who knows their mind and is unafraid to use it.

And yet a refusal rarely makes sense to the person on the receiving end. "Why must I go through this pain and this struggle?" asks the hurt voice. If there is a purpose, perhaps it is this. This was never about you. You were meant to teach someone else something about themselves, give them a degree of knowledge and strength they did not have before they met you.

Logical progression?

:Tell me the way to the big city.
:Do you want to go there?
:I don't know. Give me the directions and then I will decide.

If the journey is all that matters, why set a destination? Enjoy the sights along whatever path you are on.

If you want to reach the big city, find a way to get there regardless of what the directions say.

Unsure of both desire to reach a destination and the means to reach it, one can rarely get anywhere.

Among others, I am

I went to a party yesterday. One where I didn’t know a soul and my RSVP, sent thrice, had not been acknowledged. I walked into a tiny room filled with people and wine and beer and food, conversations and laughter and those big, intimidating circles of people who all know each other. I spoke to people I had never seen before, and eventually even the person who had ignored the RSVPs wandered over and introduced himself. About 30 people spent over two hours together, and at the end of it I was among the last 8 hanging around and chatting as we made plans to continue the conversation at a nearby bar. Bottom line: I enjoyed it, and met some good people.

If you had told me a year ago that I would be this person, I would have laughed in your face and bet my first-born child upon proving you wrong. If you were to tell anyone that knows me, they would probably do the same. I am the person who skipped out on a party I helped organize because I couldn’t talk to the classmates I had spent two years in a dorm with. I’ve skipped out on countless reunions and lab lunches, work outings and dinners with friends, only because I was “too shy”. And yet, I would do yesterday evening over without a second thought. Have I, “as a person”, changed so much?

I try not to dwell too much on the self. In terms of a personality, I don’t care for discussions or analysis of who I am. My tastes, the things I like or the ways I behave are not significantly enough a part of who I am to be held on to like symbols of identity.

Am I shy or talkative? Am I the kind of person that hangs out in bars? Am I sufficiently devout and respectful of tradition? Am I a fashionista or a geek, a chick or a scientist? I try to avoid clichés not because they exist, but because I don’t think they serve much purpose. The “person that hangs out in bars” is not always an alcoholic, and the “shy” person is often far more egoistic and full of themselves than the girl that chatters to every stranger. I don’t like being labeled, and refuse to label people based on such traits.

A personality is a set of survival tools for society, and I view it as such. At a more innate level, I am a person with ambitions and desires, a specific set of goals that bring me different kinds of satisfaction: physical, emotional and intellectual (I will not discuss the spiritual here). My “personality” is what helps me get to those satisfactions.

Cocoon

Inside these padded walls, I can bounce my ideas around. The walls lob them gently back to me, creating a resonance of harmonious theory. Nothing crashes, nothing breaks inside the silk cocoon. Any dissonance is quickly blended in until it is unrecognizable. Occasionally, an especially sharp notion may poke through, exposing the padding and threatening to break my shell. Poke the stuffing back in quickly, frayed threads and knots and all. Sew up the hole, and all that remains of the uncomfortable idea is a scar where the walls were stitched up.

Each of us creates our own padded spaces, surrounded by people and ideas we are comfortable with. Within this space, we like to think of ourselves as diverse, open-minded folk. Yet the best measure of being diverse is when one's ideas are threatened.

If everyone you speak to agrees with you and slips seamlessly into your cocoon, you never even see diversity. If you aren't being challenged, you have no idea of where to expand, where your padded walls need to be mended. The measure of your growth is how your cocoon handles challenges that don't fit into it already.

About me

Considering how much time I spend writing about myself here, it seems unfair that I should be annoyed by other people's bios. I hate having to write "About me" sections, bios or anything else that requires a snappy, succinct sentence that sums me up. And when I come across one that attempts to be humorous or deep, all I want is to rip it apart. One person describes herself as "Delightfully Indian". To whom are you delightful, and what makes you more Indian, or more delightfully so, than every other person in the sub-continent? Are you really no more than a uniquely gleeful conglomeration of race-determining gene variants?

Or someone else who says: "I like blue M & Ms". What's wrong with the rest? Yes, I went out and ate an entire pack of every color to find out what was so great about the blue ones (nothing?). Would this person get along better with the blue creatures from Avatar than normal human beings? The people with sparkly one-liners about themselves abound. I, on the other hand, must prepare for hours to introduce myself in a professional setting, just listing my qualifications. I have no world-views I would kill for, no candy fetish, and much as I love certain geographies, I like to think I am more than just "Indian", delightful or otherwise.

For myself, a recent conversation with a friend helped me understand. I like the idea of being always amused. Amusement, which stems from the verb "muser"- to think. I am constantly encountering things that set me thinking. Things I do not understand, funny things and sad things, strange things and things which explain older things I didn't understand. They all make me wonder, and most make me smile. I finally have a bio: "_ is constantly amused by the world and everything else." And even that amuses me. Ha.

If you had to pick one word or phrase to define your (most frequent) state of mind, what would it be?

The point is to live everything

Too much in the recent past is unexplained, and I struggle to find answers, even as I feel ashamed to be so expressive in this space. There are others who wonder and hurt far more deeply than I ever wish to, children and parents, lovers and wives and friends. In lieu of greater comfort, I rediscovered this:

“Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.“
— Rainer Maria Rilke

Echo

Somewhere today a lab is out of order. People walk the hallways asking, "Have you heard?", "She was going to finish in a few months" , "She worked so hard.. poor thing."
A greying professor remembers her first emails to him. Enthusiasm bordering on desperation, the years she put into getting to a point where she could send him that email. He may even remember how he wondered at her perseverance as he presented her case to the committee, asking them to fund her graduate studies.

Somewhere, a brother takes the first flight available to meet his sister. There are anxious parental phone calls, logistics, endless paperwork and planning. This I cannot bring myself to imagine.

In frozen time-frames she walks into my room at night, after roll call, demanding and distributing her 'jaadu ki jhappis'. I hear her echo "-TA" when I call her Sanchi, completing her name emphatically. I hear her laugh and I see her dance, listen to her voice in countless conversations, real and virtual. What next, we ask and say, what next?
We've talked of plans, after hostel and after Baroda, what the US is like and the tedium of grad school, buying cars and non-academic options after a Ph.D. And each time our refrain, What next and what else?

Somewhere, there is an echo of our words that goes round and round the globe, a string of electrons magically dancing through cables under the oceans and continents. What next, it whispers, what next?

Even as the words bounce around, you are gone. In frozen time I feel the crash of metal and flesh and bone on a dark highway as it ripples under my skin, my fingers trembling in a mocking echo of yours. The smell of the fruit samples in your car and the sound of the sirens and helicopters and paramedic voices. Your emphatic ending of your own name resonates in emptiness and hits me harder than anything.

The words of our friend as she tells me you are gone. The way I wish for someone to hold her close through this.

Somewhere, shouldn't something be more ordered than it is here? Are the partings here balanced out by reunions elsewhere?

Or perhaps our echoes have no balance. Just the strength they find in their repetition as they bounce around the world, fading as we fade and revived by resonant times as somewhere, an advisor reads an enthusiastic email from a grad student. And somewhere, a brother flies out to meet his sister for a reunion happier than this one. And friends talk of things other than death when they say, What comes next?

Instead of faith

On a circling wind I watched a bird rise. Steady in its ascent, perfect stillness and awareness in every wing tip. On the same wind two sparrows tumbled through, flapping desperately to get to the nearest tree even as they were tossed around by the wind.

When I raise my eyes for inspiration, I don't always see what I wanted to see. But at times like this, I get what I needed- a good laugh at myself. So what if the universe doesn't feel like restoring my faith once in a while, and instead chooses to remind me of how ridiculous it is to flap about desperately in a storm?

Perhaps it is merely a spiritual placebo. Or perhaps it is just that when I am quiet enough to look to the skies, I can connect with a calmer, more rational and faithful self. Yet these are the times I am convinced of greater powers, a deeper universal rhythm worth keeping time to. And sometimes laughing at myself with.

I wish you a storm

"In the kingdom of the gods, one must be very careful. There are things we cannot do, words we cannot say." These are some, that for different reasons, will never reach their intended destinations in that kingdom.
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You think you know it all. Just as I do. But here is the difference between you and I- I know that everything I stand for and believe in might be wrong. And I hope at least some of it is. But I know this also, and try, most times, to live by this. That commitment and kindness mean more than romantic ideals. That honesty counts for more than chickening out. That sticking through the tough times is worth it.

Because this much I know is true. Life is short and people disappear like summer winds. One minute they are here, talking to you on the phone about wedding dresses and how they suspected that guy you’re about to marry was your boyfriend all along, and the next minute they are gone. Before you can pick up the phone and call ‘when they are better and out of the hospital’. Before their son has a chance to start on his first job or bring a bride home. Before they can even get home from their first family vacation in ten years, they are gone in a crashing disaster of brain and heart and organ failure.

Because life slips away like this: Raw flesh tortured apart by the force of its own life-blood. A little clot that stops your brain that breaks your heart that brings your kidneys to a grinding halt. Because life slips away like this: Not in your sentimental tears and tortured emotions.

This much I know for sure. That blood surges and clots and the color of your bleeding romance will stop you in your tracks forever. This is the nature of blood and of life and of death. And this I can assure you will one day happen to both you and I, regardless of what we stand for today. So spare me your mawkish romance and your bloodshot eyes, your weeping heart and your fragile pretentions of emotion.

In this my parents, my husband and others more patient than I tell me to be kind and move on. Life is short, they remind me, and gone like a cloud in a summer storm. Love the uncle who said, the last time he called, “I’m waiting to see you at _’s wedding.” Remember the affection and hold the memory of shelter and warmth. Life is too short for unkindness, they say.

But on days like this I resonate only with one of my favorite cinematic moments. A scene from American Beauty, of a plastic bag caught in the wind. My words billow with rage and patience is ripped apart by my uncle’s passing.

I have neither time nor space to give you, ex-girlfriend of someone dear. Instead I give you my questions: Why say you were faking your emotions all this while? What sort of a woman are you, so keen on a wedding that you have forgotten what it takes to make a marriage? Why this gut-less playing of mind-games that only hurts the one I love? And what sort of family is this you come from, that thinks nothing of making outlandish demands of others’ children, but have failed to make their daughter become a decent human being?

At the end of it all, I only want for this to turn back on you, all the anger and confusion and unhappiness you have caused.

I wish you every unshed tear and all the grief you have caused. Because I hope they cut you deep enough to open your heart to this ephemeral space, where fragile things like people and love must stay so strong, when all we have is each other to hold through all the storms.

Easy way out : The boomerang effect

Sometime back, I wrote about how it's actually quite easy to fulfill one's dreams. (Before I go on, I would have to say this is speaking only in a personal growth/ professional sense. I don't mean dreams like your crush returning your affections or time travel to a care-free childhood.)

From personal experience, an important motivator is being forced to do things I dislike. Stuck in a job that is "OK", something I can tolerate from 9 to 5 and go home, rinse and repeat for the week- I am far less likely to stay up all night trying to find a way to make my 'dream' happen. But when forced to do things I actively dislike, it is far easier to make myself move towards what I want even at the end of a ridiculously long day.

The potency of fear as a motivator is well established in metaphor and reality to any adult(looming deadlines, ticking clock, back against the wall). At least for me, annoyance and hating what I was doing turned out to be pretty strong motivators to move towards what I want.

So if working towards fulfilling your dreams sounds impossible, try running in the opposite direction. And maybe you will find that hidden something that makes you push harder when you think you can't, and boomerang back to where you want to be.

Recipes and stop signs

Especially among friends, it surprises me to find people that think of recipes as rules to follow. When cooking with friends, I am amused by those that level out the flour in the measuring cup or insist rajma cannot be complete without the addition of fresh coriander/ cilantro leaves. Some friends frequently receive links to recipes with comments like: "Oh, I am very creative, I always add my own tweaks to dishes", while others might reply: "How can I make that, I don't have any _ on hand". Between the two extremes, I have grown up watching my mother add sambar powder to pasta for fussy children and serve sandwiches as dinner to a group that felt a "meal" must include rice, chapattis could hardly count as lunch or dinner.

My favorite kitchen memory of my mother is this: Working 9-6 and trying to manage two small children, one of whom always wanted sambar and the other would eat nothing but rasam, my mother put her magic spoon to work. In her absence, we were given a 'spell'. No matter what she'd cooked, all we had to do was turn the spoon thrice. Dip it in deep and turn the spoon thrice to the right for sambar, and three times the other way to turn the sambar into rasam. Et voila! We each got what we wanted. Of course, the other requirement for the spell was two naive children who didn't know that curry powder sediments at the bottom of the vessel, or even really know the difference between sambar and rasam ;).

My own culinary adventures are similar. I like to think I can cook menus off several world cuisines, and given a spare pantry will whip up a kootu or a pasta or fajitas or a stir-fry. But none of them are 'authentic', and none of them are particularly 'creative', at least in my opinion. It's food, and it tastes good to those I cook it for. It fulfills our needs and keeps us happy, and that is enough for me.

Recipes are suggestions, not rules to live or die by. As are stop signs, as long as you look all ways ;). And so are 'principles'. There is always a different perspective, and principles/morals are guidelines on how to proceed, options one can choose to live by. If a moral cannot stand up to circumstantial logical scrutiny and open discussion, I don't think it is worth killing/ dying for, nor is it worth causing unhappiness over.

(P.S: Why does spell check find fajitas acceptable, but not rajma/sambar etc.? For those that want 'recipes' for any of the foods mentioned, I'm happy to oblige ;))

If self-defeating statements all spontaneously combusted, conversations would be so much more insightful. Or perhaps non-existent. Like this post should be, perhaps :)