Realizing that what I write after a book is not so much a review as an impression of its lingering shadows, the way its footprints have contoured my consciousness. That these new dips and curves, corners of toes will remain in the way my mind interfaces with the world around me.
And having said that, this book is a bestseller recommended by dear friends years ago. It failed to hold my attention, though I've tried several times to pick it up over the last five-ish years. This fall, something clicked. And it's been oddly comforting to read of a blind girl and white-haired boy traversing the insane uncertainty of a world war. Part of that comfort stems from the writer's voice. When you read, does the book sound a certain way in your head? Some books have no sound, others are just my own voice. Some sound like the writer. This one--I don't know what the writer sounds like--but this one is old and young, history and fantasy, and certainly not mine.
This is a voice of wonder and innocence, sustained and uplifted through every page. Childlike in how pure its emotions are. Fear, all-encompassing. This moment amongst the snails, absolute. This hunger, complete. Each line, each paragraph sucks you in until there is nothing beyond it, nothing before or after. Meditative and inexorable in its intensity. And each moment in the story spirals upward, from sea to sky to the nature of love and light. Light cleared by wind, the voice says, and I smell a washed sky.
(The book: All the light we cannot see, by Anthony Doerr)