More than being troubled by the many uncertainties that come with doing grown-up things, I have been troubled by my sudden incapacity to handle them. Where is that confident child, I ask myself, searching constantly for the memory of a self-assured younger self.
Slowly, slowly, I find the answers. That self only emerges when I am quiet, truly quiet. Not just alone, but when I can watch the stillness within and without. When I can spot the symmetry of pine trees silhouetted against a sunset sky as I stand in rush hour traffic. When I remember the reflection of that symmetry in the workings of my body. Like symmetrical sand ripples marked by random waves and wind and pulls of the moon, life has a way of falling into place.
When I remember these things, I find a certain stillness, standing in a place where I know I can make things work the way I used to. Where a single quiet thought cast out, strong and sure and repeatedly, can pull the waves just as surely as the moon, despite summer storms and capricious winds.
Monday, March 05, 2012
Thursday, February 16, 2012
A place of unfamiliar words
Finding writers I disagree with on how the English language *should* be used.
Discovering that in a sleep-deprived haze, I can churn out nonsense like "ask questions with questioning wonder".
And type "molecular" when I mean "molecule".
Struggling to find narrative arcs that once curved effortless as.. and what is an effortless curve? A rainbow, a moonbeam, the flight of a bird, the throw of a ball? How do I quantify what makes for great effort?
Stopping mid-sentence because I have forgotten what I wanted to say.
How did I get here, to this place of unfamiliar words? A space where bad writers tell me I am 'finally writing well', a place where I gravitate towards words that I can use to cover up a lack of substance. Where it is better that ten words are used to describe one and we like to line our sentences up in pretty matched bullet pointed columns.
"I don't write for you to read. My writing isn't meant to be a communication from me to you. It isn't meant to idealize anything or stand for anything or maybe even mean very much. It is but a fragment of a moment that changed me."
I wrote those words over fifteen years ago, and I am trying hard to fall back to them. To a place where words led me to greater insight, clarity and conviction. When I did not write by the rule of three. Or even if I did, did not cringe at the words in neat triplets. I like to think I can find my way back- to a point where I did not care who read, or who liked, or who did much of anything else with my words, without Twitter followers or blog-readers or the pressure of creating an online persona that people might like. It is a little disturbing to think that my insecure fifteen year old self had more confidence and conviction and a sense of how to use words well than the so-called adult writer who finds words unfamiliar and sometimes unpleasant.
Perhaps this is only a literary growing up, where I find not all words play well in the sandbox and learn to cross the street if I meet the nasty ones on a dark street.
And once more I leave this dangling unfinished story, an unfamiliar string of incompleteness.
Discovering that in a sleep-deprived haze, I can churn out nonsense like "ask questions with questioning wonder".
And type "molecular" when I mean "molecule".
Struggling to find narrative arcs that once curved effortless as.. and what is an effortless curve? A rainbow, a moonbeam, the flight of a bird, the throw of a ball? How do I quantify what makes for great effort?
Stopping mid-sentence because I have forgotten what I wanted to say.
How did I get here, to this place of unfamiliar words? A space where bad writers tell me I am 'finally writing well', a place where I gravitate towards words that I can use to cover up a lack of substance. Where it is better that ten words are used to describe one and we like to line our sentences up in pretty matched bullet pointed columns.
"I don't write for you to read. My writing isn't meant to be a communication from me to you. It isn't meant to idealize anything or stand for anything or maybe even mean very much. It is but a fragment of a moment that changed me."
I wrote those words over fifteen years ago, and I am trying hard to fall back to them. To a place where words led me to greater insight, clarity and conviction. When I did not write by the rule of three. Or even if I did, did not cringe at the words in neat triplets. I like to think I can find my way back- to a point where I did not care who read, or who liked, or who did much of anything else with my words, without Twitter followers or blog-readers or the pressure of creating an online persona that people might like. It is a little disturbing to think that my insecure fifteen year old self had more confidence and conviction and a sense of how to use words well than the so-called adult writer who finds words unfamiliar and sometimes unpleasant.
Perhaps this is only a literary growing up, where I find not all words play well in the sandbox and learn to cross the street if I meet the nasty ones on a dark street.
And once more I leave this dangling unfinished story, an unfamiliar string of incompleteness.
Monday, February 06, 2012
Purpose
The events of the past only fall into perfect patterns when I look at them through the lens of what I want in the future. This perception is a choice. I could equally easily consider the past a random walk unconnected to the present or future.
I could consider it random and conclude there is little purpose to dreams for the future, which is going to be just as probabilistic as the past.
I could consider it random and try and identify parameters to control for the future. From personal experience, I doubt this could ever work perfectly.
And so I prefer seeing these patterns that support where I would like to go. The road ahead is long enough and hard enough without my concocting monsters or simply ignoring what has already happened. Given the odds, I might as well squeeze strength and optimism from wherever I can get it.
I could consider it random and conclude there is little purpose to dreams for the future, which is going to be just as probabilistic as the past.
I could consider it random and try and identify parameters to control for the future. From personal experience, I doubt this could ever work perfectly.
And so I prefer seeing these patterns that support where I would like to go. The road ahead is long enough and hard enough without my concocting monsters or simply ignoring what has already happened. Given the odds, I might as well squeeze strength and optimism from wherever I can get it.
Tuesday, January 31, 2012
Rubberband
A month of not-quite:
Routine
Work
Decisions
Peace
Health
Time
Space
Dance
Food
Too much of some and not enough of others. Too much of the right kind and too little of the wrong. A month of not-quite finding balance, not-quite figuring this one out. I wish I could sit out the next month. Instead, I sneak breaks at work to take deep breaths. I take long walks at home to take deep breaths. And when I drive I watch for sky-miracles of sun ray and cloud, wait for the semi-sign of a song that plays randomly on my shuffling play list.
As if some unique conglomeration of light and shadow, some synchrony of electromagnetic impulses in my brain and my iPod could be signs that someone is, in fact, keeping the balance of the not-quites in some way I cannot fathom.
Routine
Work
Decisions
Peace
Health
Time
Space
Dance
Food
Too much of some and not enough of others. Too much of the right kind and too little of the wrong. A month of not-quite finding balance, not-quite figuring this one out. I wish I could sit out the next month. Instead, I sneak breaks at work to take deep breaths. I take long walks at home to take deep breaths. And when I drive I watch for sky-miracles of sun ray and cloud, wait for the semi-sign of a song that plays randomly on my shuffling play list.
As if some unique conglomeration of light and shadow, some synchrony of electromagnetic impulses in my brain and my iPod could be signs that someone is, in fact, keeping the balance of the not-quites in some way I cannot fathom.
Saturday, December 31, 2011
2011/2012
My husband bought me a fitness tracker for a Christmas gift this year. It marks my steps, the stairs I climb and how well I sleep. It lets me set little goals for myself and chirps out cheery messages encouraging me through the day. I've loved setting goals for myself on the log, walking 15,000 steps instead of 10, 30 floors instead of 20, earning virtual badges for my efforts. This morning, I was amused at the roundness of these numbers, how I like to track my progress in multiples of 5 or 10, preferably both. A nice sense of completion.
But turn the year at its end over in my mind, and how little of it is so smooth and simple. 365 and something days. 12 months. 7 days. 24 hours. Time runs with sharp edges, trailing odd numbers and primes that I cannot parse into quick little pockets of even-sized memory.
Some things stand out sharper than others. People who are not here to ring in the new year, most of all. Their voices bounce around these edges, popping up abruptly at times I least expect. People who may not be here for the next. Efforts too personal to be shared even in this anonymous space. Parents visiting. Being able to afford material comforts that were unthinkable two years ago. Finding, at last, a glimmer of the person I used to be. The one who listened to the small signs the universe hands out, and trusts them.
Time and memory do not come in neatly multiples of 5 and 10. And so there is no measure I can use to weigh one against the other. A dear one's passing against the birth of my friend's child. Spotting a little sign in a car against the years of evidence that something may not work. I cannot track these things, except by running memory's fingers over the uneven edges of the year that was. Treasuring the cracks, and remembering this, an old favorite quote:
"Ring the bells that still can ring
Forget the perfect offering.
There's a crack in everything
That's how the light gets in."
Wishing us all a light-filled 2012, and may the light remind us of good things :)
But turn the year at its end over in my mind, and how little of it is so smooth and simple. 365 and something days. 12 months. 7 days. 24 hours. Time runs with sharp edges, trailing odd numbers and primes that I cannot parse into quick little pockets of even-sized memory.
Some things stand out sharper than others. People who are not here to ring in the new year, most of all. Their voices bounce around these edges, popping up abruptly at times I least expect. People who may not be here for the next. Efforts too personal to be shared even in this anonymous space. Parents visiting. Being able to afford material comforts that were unthinkable two years ago. Finding, at last, a glimmer of the person I used to be. The one who listened to the small signs the universe hands out, and trusts them.
Time and memory do not come in neatly multiples of 5 and 10. And so there is no measure I can use to weigh one against the other. A dear one's passing against the birth of my friend's child. Spotting a little sign in a car against the years of evidence that something may not work. I cannot track these things, except by running memory's fingers over the uneven edges of the year that was. Treasuring the cracks, and remembering this, an old favorite quote:
"Ring the bells that still can ring
Forget the perfect offering.
There's a crack in everything
That's how the light gets in."
Wishing us all a light-filled 2012, and may the light remind us of good things :)
Monday, December 26, 2011
House guests
Now, I know the way your body relaxes into the couch, the bends of your legs and neck as you lie back to play a game. I'm aware that you're allergic to eggs, and of your firm conviction that traditional foods must be cooked with certain recipes and no other. I've watched your frenzied, last-minute style of packing, the intimate links of your togetherness cemented in these material things. One packs the other's toothbrush, the other remembers to bring the thick socks the one forgets. You, in your turn, remember my anger at being dropped off to catch a flight fifteen minutes after it departed. You remember to save some food for me when I get home, and leave me my space, respecting my home for mine.
I think you would call this familiarity. We have shared a house, shared our lives for a few weeks. Having been fed and watered by one another, our needs attended to and differences overlooked with mostly polite courtesy, we could be said to know one another.
For myself, these facts turn my mind back to other intimacies. The way I know my friend must smile when she sees my little chat window pop orange on her screen. How I know my father will respond to an article I send him. The way my husband and I know what the other thinks in a game of charades or Taboo. The depth of affection in the smallest of our connections. The way our lives resonate with one another,
even if it has been a while since we sat on a couch together, just us and no television.
I think you would call this familiarity. We have shared a house, shared our lives for a few weeks. Having been fed and watered by one another, our needs attended to and differences overlooked with mostly polite courtesy, we could be said to know one another.
For myself, these facts turn my mind back to other intimacies. The way I know my friend must smile when she sees my little chat window pop orange on her screen. How I know my father will respond to an article I send him. The way my husband and I know what the other thinks in a game of charades or Taboo. The depth of affection in the smallest of our connections. The way our lives resonate with one another,
even if it has been a while since we sat on a couch together, just us and no television.
Wednesday, November 23, 2011
If wishes were..
'Tis the season to be giving thanks. All my feeds are flooded with the Oscar speeches you wish you'd never heard- people thanking their taps for giving them water and the Tiger for not eating all the Cheetos, and much else. Of course this set me off on my own personal vote of thanks (which no, I shall not suffer anyone reading this to endure).
The list is long, and complicated, and I'm not entirely sure yet whether I am thankful for it all. No, I am not mature enough to see everything in the world as a blessing. Some things just suck, and should never have happened. (That's a pretty easy list to make, perhaps for next year though). But in the middle of it, what struck me was that I was most UN-grateful for my times of inaction.
When I had an opportunity and didn't give it my all. For fear of not having prepared enough(No, I can't pitch an editor with that!). For fear of looking like a fool (No, I will not dance). For fear of failing (What if I suck at it?). For just no reason (Never mind, I'll get to it later). Those are the times I wish I hadn't.
There is only one way to find out if you've prepared enough, if you suck at something or really have it in you to be good at it. Just doing it. And sometimes, when you take that leap of faith and pitch that big-time editor with your completely half-baked story idea, it is followed by absolute panic. But you do it anyway, because you asked for it, didn't you? You work through the half-baked pitch, the 10,000 word transcript and the even less-baked last minute draft. And then, once in a while, you hear something like this:
"We are editing your wonderful (article). Fabulous stuff!"
And it makes you wish, even more, for another chance at all those times that you didn't try.
The list is long, and complicated, and I'm not entirely sure yet whether I am thankful for it all. No, I am not mature enough to see everything in the world as a blessing. Some things just suck, and should never have happened. (That's a pretty easy list to make, perhaps for next year though). But in the middle of it, what struck me was that I was most UN-grateful for my times of inaction.
When I had an opportunity and didn't give it my all. For fear of not having prepared enough(No, I can't pitch an editor with that!). For fear of looking like a fool (No, I will not dance). For fear of failing (What if I suck at it?). For just no reason (Never mind, I'll get to it later). Those are the times I wish I hadn't.
There is only one way to find out if you've prepared enough, if you suck at something or really have it in you to be good at it. Just doing it. And sometimes, when you take that leap of faith and pitch that big-time editor with your completely half-baked story idea, it is followed by absolute panic. But you do it anyway, because you asked for it, didn't you? You work through the half-baked pitch, the 10,000 word transcript and the even less-baked last minute draft. And then, once in a while, you hear something like this:
"We are editing your wonderful (article). Fabulous stuff!"
And it makes you wish, even more, for another chance at all those times that you didn't try.
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