..echo and bounce around in the silence. I listen to them all as they make their pitches.
There are women, many of them. One loves her husband and cries when he goes on work trips, even for a few days. She likes simple things- clothes, movies, eating out, spending time with friends. The other cries over her lost husband, and worries over where her jewelry is stored, whether it is safe. Left to herself, she could wish endlessly for days gone to return. The third lazes her days away, and tells me I lack experience, to take everything I am told with a pinch of salt. There are men, just as many. In them, I hear only undertones. hear the doubt in one's voice as he asks me what I plan to do, where I plan to go. I hear disapproval in the other. Why can't you be a professor? Why are you wasting your life like this? Do you know what you are doing?
I hear all of these-
Admiration
Unspoken envy
Doubt
Disapproval
Fear
Uncertainty
What I don't hear is a voice worth following. What I don't hear is a voice I can trust. I miss the voice that I used to follow on leaps of faith. I miss the sound of my confident silences.
Friday, September 24, 2010
Wednesday, September 22, 2010
Quotes for the day
In a microwave world*
Anticipation is like ketchup*
and Power is neutral, like tofu.*
It's apparently what you do with it that matters.
Push-button publishing seems to mean that we can now say the first things that should never have been in our heads in the first place. (And yes, maybe that applies just as equally to this post, inspired by the worst *quotes I have read, all in one day, before noon). Brains like frilly multi-colored pinata pigs, shaken together, words like confetti strung into party favors to be dispensed to the children that came to the party, too polite to refuse to read.
Anticipation is like ketchup*
and Power is neutral, like tofu.*
It's apparently what you do with it that matters.
Push-button publishing seems to mean that we can now say the first things that should never have been in our heads in the first place. (And yes, maybe that applies just as equally to this post, inspired by the worst *quotes I have read, all in one day, before noon). Brains like frilly multi-colored pinata pigs, shaken together, words like confetti strung into party favors to be dispensed to the children that came to the party, too polite to refuse to read.
Monday, September 13, 2010
Sharing
"You give but little when you give of your possessions. It is when you give of yourself that you truly give."
I give you these words, these quotes and songs and realities I have learned, I have heard. I give you stories of experiences, both mine and those of others. I give you time, sympathy, affection. Gestures of caring. I give you this space in my thoughts. This time and space in my mind, in my conscious actions- this should be giving, should it not?
But at the end of it, I am less. There is little left in me to offer, of worth to you. Am I lessened this way because I gave of myself? I doubt it. The self, the true self, should grow when shared. In the silence at the end of our conversation, shouldn't the self expand in the long exhale? How do I find this self, the one that is replenished by sharing with another?
When I give you these things (quotes/words/ideas), you construct for me a little space, it seems. A reality that is encompassed only by those things we share. And I give, eagerly, to gain that space, that corner of your consciousness that I can stake a claim to. But neither is that my sole reality, nor do I have any permanence in that claim in your mind. But each time you want to fill that emptiness, you come to me for words. And I oblige, believing I am giving of myself. I believe I am being good, a true friend, in listening to you and allaying your doubts, I like to think I am being true to myself. But which self? Certainly not the one that wanted to grow, and not one that is any richer for our conversations.
Outside your mind, outside the structures my words construct in your realities, there must be a self that is fuller and more complete, a wellspring that these small streams bubble from. Something deeper and truer, quieter and more content. Fuller in its search for cohesive, unifying thought than I am in these chance findings of shared phrases.
I give you these words, these quotes and songs and realities I have learned, I have heard. I give you stories of experiences, both mine and those of others. I give you time, sympathy, affection. Gestures of caring. I give you this space in my thoughts. This time and space in my mind, in my conscious actions- this should be giving, should it not?
But at the end of it, I am less. There is little left in me to offer, of worth to you. Am I lessened this way because I gave of myself? I doubt it. The self, the true self, should grow when shared. In the silence at the end of our conversation, shouldn't the self expand in the long exhale? How do I find this self, the one that is replenished by sharing with another?
When I give you these things (quotes/words/ideas), you construct for me a little space, it seems. A reality that is encompassed only by those things we share. And I give, eagerly, to gain that space, that corner of your consciousness that I can stake a claim to. But neither is that my sole reality, nor do I have any permanence in that claim in your mind. But each time you want to fill that emptiness, you come to me for words. And I oblige, believing I am giving of myself. I believe I am being good, a true friend, in listening to you and allaying your doubts, I like to think I am being true to myself. But which self? Certainly not the one that wanted to grow, and not one that is any richer for our conversations.
Outside your mind, outside the structures my words construct in your realities, there must be a self that is fuller and more complete, a wellspring that these small streams bubble from. Something deeper and truer, quieter and more content. Fuller in its search for cohesive, unifying thought than I am in these chance findings of shared phrases.
Perhaps love
(Old favorites, this one is by John Denver).
Perhaps love is like a resting place
A shelter from the storm
It exists to give you comfort
It is there to keep you warm
And in those times of trouble
When you are most alone
The memory of love will bring you home
Perhaps love is like a window
Perhaps an open door
It invites you to come closer
It wants to show you more
And even if you lose yourself
And don't know what to do
The memory of love will see you through
Oh, love to some is like a cloud
To some as strong as steel
For some a way of living
For some a way to feel
And some say love is holding on
And some say letting go
And some say love is everything
And some say they don't know
Perhaps love is like the ocean
Full of conflict, full of change
Like a fire when it's cold outside
Thunder when it rains
If I should live forever
And all my dreams come true
My memories of love will be of you
----------
(John Denver/ Placido Domingo)
Perhaps love is like a resting place
A shelter from the storm
It exists to give you comfort
It is there to keep you warm
And in those times of trouble
When you are most alone
The memory of love will bring you home
Perhaps love is like a window
Perhaps an open door
It invites you to come closer
It wants to show you more
And even if you lose yourself
And don't know what to do
The memory of love will see you through
Oh, love to some is like a cloud
To some as strong as steel
For some a way of living
For some a way to feel
And some say love is holding on
And some say letting go
And some say love is everything
And some say they don't know
Perhaps love is like the ocean
Full of conflict, full of change
Like a fire when it's cold outside
Thunder when it rains
If I should live forever
And all my dreams come true
My memories of love will be of you
----------
(John Denver/ Placido Domingo)
Thursday, September 09, 2010
Wish you were here.
I wish you were here with me now, my sad-eyed friend. On this winding road on these mountains you dreamed of, I see past light and color into a long-ago Sunday afternoon. How patiently you clipped those articles out of the Pioneer, the travel section every weekend afternoon, after everyone had read the papers. I see your fingers fold the edges over, so they'd fit in the folder you made yourself. I see you caress those yellowing sheets in the night, as you dreamt of Paris and New York and San Francisco and the big, bright future.
I wish you were here, all passion and fury. You would have liked this, I think, leaves trembling in the wind and the smell of fall in the air. The autumn leaves you wrote about, when the closest you had been to them was a handful of pressed maple leaves, over twenty years old. I see your hands, holding the fragments together in Delhi afternoons, making envelopes to keep them safe.
I miss your clear-eyed compassion, your sense of where you knew your life was going. I miss your intuition about people, sharp as diamonds. I wish you were here, to frame this confusing world with your ideals, your sharp sense of space and togetherness. I miss the peace you had through your anger, the way each word you spoke came from the heart, whether in anger or in love.
I wish you were here, if only to turn me back into who I used to be when I was you.
I wish you were here, all passion and fury. You would have liked this, I think, leaves trembling in the wind and the smell of fall in the air. The autumn leaves you wrote about, when the closest you had been to them was a handful of pressed maple leaves, over twenty years old. I see your hands, holding the fragments together in Delhi afternoons, making envelopes to keep them safe.
I miss your clear-eyed compassion, your sense of where you knew your life was going. I miss your intuition about people, sharp as diamonds. I wish you were here, to frame this confusing world with your ideals, your sharp sense of space and togetherness. I miss the peace you had through your anger, the way each word you spoke came from the heart, whether in anger or in love.
I wish you were here, if only to turn me back into who I used to be when I was you.
Friday, August 27, 2010
I say I want to write.
Doing what you love, and making a living doing what you love, seem to be two entirely different things for me. I say I want to write, and I know I mean this.
But making a living out of writing requires that I prove my worth, show the world why I am demanding my dues.. and words are so personal to me. It feels like casting myself out on the high seas, like standing in front of an audience proving I have talent. But words are not my talent, they are just me. Asking to be employed for the words I use feels like declaring to the world- I have two feet and two hands! I deserve a job!
Asking to be employed for the words I use feels:
Like begging to be loved.
Scary. To be told that my words are no good feels like being told I am no good either.
Not like me. I am not an aggressive seller, I would rather stay in my corner and watch you than talk to you. Networking and job-hunting require me to become this facade I practice, actually be this person I pretend to be with strangers. The girl who practices conversations before casual dinners suddenly needs to be the person who actually can carry on that casual banter. But the person who writes is the girl in the corner, not the chatterbox with the fake smiles and hugs. How do I sell a person I can no longer be?
I say I want to write, but the "I" that wants to write needs to grow into an actual adult, an "I" who is capable of both writing and networking. Right now, being told to network or talk to someone makes me want to curl up under a rock and go to sleep.
But making a living out of writing requires that I prove my worth, show the world why I am demanding my dues.. and words are so personal to me. It feels like casting myself out on the high seas, like standing in front of an audience proving I have talent. But words are not my talent, they are just me. Asking to be employed for the words I use feels like declaring to the world- I have two feet and two hands! I deserve a job!
Asking to be employed for the words I use feels:
Like begging to be loved.
Scary. To be told that my words are no good feels like being told I am no good either.
Not like me. I am not an aggressive seller, I would rather stay in my corner and watch you than talk to you. Networking and job-hunting require me to become this facade I practice, actually be this person I pretend to be with strangers. The girl who practices conversations before casual dinners suddenly needs to be the person who actually can carry on that casual banter. But the person who writes is the girl in the corner, not the chatterbox with the fake smiles and hugs. How do I sell a person I can no longer be?
I say I want to write, but the "I" that wants to write needs to grow into an actual adult, an "I" who is capable of both writing and networking. Right now, being told to network or talk to someone makes me want to curl up under a rock and go to sleep.
Sunday, August 08, 2010
Living in faith
The kind of blinkered faith that believes in a 'personal' God- One who loves you unconditionally and will never fail you etc, always seems like blind denial to me. Is such a God really possible, and if yes, how does he (as a neutral pronoun, those more particular are welcome to substitute :)) exist in the obvious contradictions that would ensue? One man wants to steal and kill, the other man wants to protect. How can the same God grant both wishes, and if he does not, is the answer only "Have faith, God will give you another chance" to both?
A post by a friend, and several discussions with another, prompted the attempt below (And yes, this is my way of saying- Blame them, not me ;))
Despite my opening ideas, faith is, to me, essential to existence. The contradiction and confusions come in when we choose to make faith personal, believe that the universe exists solely to fulfil our desires. I prefer, instead, the idea of a balance, the universe as a tightrope and a free-fall and the swinging grace of the trapeze artiste.
There are those of us who choose the tightrope- We insist on one god, one purpose, and refuse to look up from our feet. We clutch the rope between our toes, fearful of looking up or around, at anything beyond this rope, this rope that we believe is the One True Thing. Some people are fortunate enough to make it from one end of the rope to the other, with only a few close shaves. Others fall, crashing down into the sticky web of 'reality' that awaits below.
When we fall, some of us look up, spot the rope, and focus our energies on getting back on it, and when we do, forget the fall, and never question the time the Rope failed to hold us up. Others hate the rope for letting them down, and struggle the rest of the way across the netting, limbs poking,losing balance, and insisting, announcing,that the rope failed them and this struggle is, in fact, the easier way. Who needs a higher power, when we have limbs to plod along, however unwieldy the path?
And there are those that spot the swings, realize that life isn't a straight and narrow way, and the rope will not always hold you up. Learning to swing is tricky, rising and falling in the rhythms of these ropes and bars, staying perfectly tuned to the universe of the trapeze. Of course we fall, sometimes, and need to struggle with unpleasantly close encounters with reality- but this is usually when we haven't yet learned the perfect balance. There are as many ways to be held lightly through confidence and faith, as there are ways to forget both and fall.
The question is- do you have faith in the rope, the net, or your capacity to move in perfect synchrony with the swings?
A post by a friend, and several discussions with another, prompted the attempt below (And yes, this is my way of saying- Blame them, not me ;))
Despite my opening ideas, faith is, to me, essential to existence. The contradiction and confusions come in when we choose to make faith personal, believe that the universe exists solely to fulfil our desires. I prefer, instead, the idea of a balance, the universe as a tightrope and a free-fall and the swinging grace of the trapeze artiste.
There are those of us who choose the tightrope- We insist on one god, one purpose, and refuse to look up from our feet. We clutch the rope between our toes, fearful of looking up or around, at anything beyond this rope, this rope that we believe is the One True Thing. Some people are fortunate enough to make it from one end of the rope to the other, with only a few close shaves. Others fall, crashing down into the sticky web of 'reality' that awaits below.
When we fall, some of us look up, spot the rope, and focus our energies on getting back on it, and when we do, forget the fall, and never question the time the Rope failed to hold us up. Others hate the rope for letting them down, and struggle the rest of the way across the netting, limbs poking,losing balance, and insisting, announcing,that the rope failed them and this struggle is, in fact, the easier way. Who needs a higher power, when we have limbs to plod along, however unwieldy the path?
And there are those that spot the swings, realize that life isn't a straight and narrow way, and the rope will not always hold you up. Learning to swing is tricky, rising and falling in the rhythms of these ropes and bars, staying perfectly tuned to the universe of the trapeze. Of course we fall, sometimes, and need to struggle with unpleasantly close encounters with reality- but this is usually when we haven't yet learned the perfect balance. There are as many ways to be held lightly through confidence and faith, as there are ways to forget both and fall.
The question is- do you have faith in the rope, the net, or your capacity to move in perfect synchrony with the swings?
Tuesday, July 27, 2010
Make a joyful noise
I've been struggling with this last phase of writing. Friend/critic tells me to perk up, having come this far all I have to do is this one last thing. Be boisterous and command attention, glorify the work and end on the high note. But the voice in my head refuses to go away. It reminds me of the screw-ups, the failed experiments and the many, many let-downs. Of the critique I'm still waiting to receive, the observation that I did the right things and wasn't rewarded in kind. The voice in my head refuses to shut up and let me remember why I'm here.
Then I came across this story-
A wise old gentleman retired and purchased a modest home near a junior high school. He spent the first few weeks of his retirement in peace and contentment.
Then a new school year began.
The very next afternoon three young boys, full of youthful, after-school enthusiasm, came down his street, beating merrily on every trash can they encountered. The crashing percussion continued day after day, until finally the wise old man decided it was time to take some action.
The next afternoon, he walked out to meet the young percussionists as they banged their way down the street.
Stopping them, he said, "You kids are a lot of fun. I like to see you express your exuberance like that. In fact, I used to do the same thing when I was your age. Will you do me a favor? I'll give you each a dollar if you'll promise to come around every day and do your thing."
The kids were elated and continued to do a bang-up job on the trashcans.
After a few days, the old-timer greeted the kids again, but this time he had a sad smile on his face. "This recession's really putting a big dent in my income," he told them. "From now on, I'll only be able to pay you 50 cents to beat on the cans."
The noisemakers were obviously displeased, but they accepted his offer and continued their afternoon ruckus.
A few days later, the wily retiree approached them again as they drummed their way down the street.
"Look," he said, "I haven't received my Social Security check yet, so I'm not going to be able to give you more than 25 cents. Will that be okay?"
"A freakin' quarter?" the drum leader exclaimed. "If you think we're going to waste our time, beating these cans around for a quarter, you're nuts! No way, dude. We quit!" And the old man enjoyed peace and serenity for the rest of his days.
..It's not about the quarter, or the dollar. It's just about the fun of banging the tin cans together.
Then I came across this story-
A wise old gentleman retired and purchased a modest home near a junior high school. He spent the first few weeks of his retirement in peace and contentment.
Then a new school year began.
The very next afternoon three young boys, full of youthful, after-school enthusiasm, came down his street, beating merrily on every trash can they encountered. The crashing percussion continued day after day, until finally the wise old man decided it was time to take some action.
The next afternoon, he walked out to meet the young percussionists as they banged their way down the street.
Stopping them, he said, "You kids are a lot of fun. I like to see you express your exuberance like that. In fact, I used to do the same thing when I was your age. Will you do me a favor? I'll give you each a dollar if you'll promise to come around every day and do your thing."
The kids were elated and continued to do a bang-up job on the trashcans.
After a few days, the old-timer greeted the kids again, but this time he had a sad smile on his face. "This recession's really putting a big dent in my income," he told them. "From now on, I'll only be able to pay you 50 cents to beat on the cans."
The noisemakers were obviously displeased, but they accepted his offer and continued their afternoon ruckus.
A few days later, the wily retiree approached them again as they drummed their way down the street.
"Look," he said, "I haven't received my Social Security check yet, so I'm not going to be able to give you more than 25 cents. Will that be okay?"
"A freakin' quarter?" the drum leader exclaimed. "If you think we're going to waste our time, beating these cans around for a quarter, you're nuts! No way, dude. We quit!" And the old man enjoyed peace and serenity for the rest of his days.
..It's not about the quarter, or the dollar. It's just about the fun of banging the tin cans together.
Sunday, July 25, 2010
About a story
A story like a tree, out of context. Out of context, a tree is an aesthetic, shapeless continuum- Root and leaf-tip turn to branch and root hair, and who can tell one end from the other? In a space beyond soil and sky, where does a tree begin, and where does it end? With twists and turns and sudden dips, we are like trees too, unchanging in our essence as we move through life. Our stories have no beginnings, and no clear ends, in the immenseness of time.
Yet the tales we tell must have these points, starts and finishes and dramatic changes, as if our continuum must have these reminders, that there is another space, a story-space, where lives begin and end in sharp punctuation. It takes a rare talent to move through these spaces and make them meet- Weave words like fingers tracing the lines of a tree, marking cracks in the bark and the softness of petal into the shape of a story one can tell, a tale worth sharing.
Gently, word-fingers probe disastrous lives, turning them into things of beauty, each in their own light. An alcoholic mother, a struggling step-father. The life of a writer. Drug abuse and unsafe teenage sex. Imperfection made perfect, in the light of kindness. What can happen, in these fragments? A story, most stories, would begin and end, characters stepping into glorious sunsets or people placing sawed-off shotguns in their mouths. The tree-story, instead, just watches, as the mother and daughter fight at the end as they did at the start, as the father struggles to write as he does throughout. Friends flit in and out, incidents occur, and life goes on, in much the same vein as it did on page one, if you called that the beginning.
Less about conflict and resolution than about the observation of both, and the reminder that people, however lost and angry and screwed up, have these sparks of loveliness, like perfectly phrased joy in a story of despair. It's about paying attention to these moments, because in a story like this, people, like trees, are unchanging and ever-growing, a seamless weave of beauty and imperfection.
(The book: Imperfect Birds, by Anne Lamott)
Yet the tales we tell must have these points, starts and finishes and dramatic changes, as if our continuum must have these reminders, that there is another space, a story-space, where lives begin and end in sharp punctuation. It takes a rare talent to move through these spaces and make them meet- Weave words like fingers tracing the lines of a tree, marking cracks in the bark and the softness of petal into the shape of a story one can tell, a tale worth sharing.
Gently, word-fingers probe disastrous lives, turning them into things of beauty, each in their own light. An alcoholic mother, a struggling step-father. The life of a writer. Drug abuse and unsafe teenage sex. Imperfection made perfect, in the light of kindness. What can happen, in these fragments? A story, most stories, would begin and end, characters stepping into glorious sunsets or people placing sawed-off shotguns in their mouths. The tree-story, instead, just watches, as the mother and daughter fight at the end as they did at the start, as the father struggles to write as he does throughout. Friends flit in and out, incidents occur, and life goes on, in much the same vein as it did on page one, if you called that the beginning.
Less about conflict and resolution than about the observation of both, and the reminder that people, however lost and angry and screwed up, have these sparks of loveliness, like perfectly phrased joy in a story of despair. It's about paying attention to these moments, because in a story like this, people, like trees, are unchanging and ever-growing, a seamless weave of beauty and imperfection.
(The book: Imperfect Birds, by Anne Lamott)
Saturday, July 24, 2010
Note to self :)
"It's about paying attention. When people ask me how I am these days, I say, "Better than I think", because it's good to notice that my life is pretty great, even if my mind isn't."
- From Imperfect birds, Anne Lamott
- From Imperfect birds, Anne Lamott
Friday, July 16, 2010
Disconnect
Imagine, now, the most serious relationship of your life. You and a significant other, bound as close as two individuals could possibly be. Life without this other is inconceivable, he/she is essential as breath and blood to you. Your well-being depends on the other. Sickness and health, laughter and security and fun. Even the glow on your face and the sparkle in your eye. Without this being, you would never even try: Hanging out with friends. Shaking hands with your colleagues. Taking a vacation. Playing in the waves. Growing with your children.
What do you imagine this other to be like? Someone you know and love, deeply care about? Reality check. This being is a stranger. You spend every minute of every day together, without ever getting to know one another. You never have any fun together. You hang out on the couch, eat together and sleep together, never knowing what goes on inside each of you, what the other likes to do or what he/she is capable of accomplishing. The other never achieves their potential, only exists. And when someone asks you, "What does _ do?" You reply with a laugh, "Oh, nothing at all. Does _ really look like _ is capable of anything?"
Despite your closeness and absolute need for one another, this other is never worthy of your esteemed time, attention or respect. Why would you bother, when your exalted mind has so much more to occupy itself with, and the other is so quiet, so insignificant, undemanding and tolerant of your impositions?
Until the day he/she gives up on you, this stranger is ignored. And the day it happens, miracles are forgotten and feats extraordinaire ignored, and you moan to the world about how you're growing old and heavy, and your body no longer serves you the way it used to.
What do you imagine this other to be like? Someone you know and love, deeply care about? Reality check. This being is a stranger. You spend every minute of every day together, without ever getting to know one another. You never have any fun together. You hang out on the couch, eat together and sleep together, never knowing what goes on inside each of you, what the other likes to do or what he/she is capable of accomplishing. The other never achieves their potential, only exists. And when someone asks you, "What does _ do?" You reply with a laugh, "Oh, nothing at all. Does _ really look like _ is capable of anything?"
Despite your closeness and absolute need for one another, this other is never worthy of your esteemed time, attention or respect. Why would you bother, when your exalted mind has so much more to occupy itself with, and the other is so quiet, so insignificant, undemanding and tolerant of your impositions?
Until the day he/she gives up on you, this stranger is ignored. And the day it happens, miracles are forgotten and feats extraordinaire ignored, and you moan to the world about how you're growing old and heavy, and your body no longer serves you the way it used to.
Tuesday, July 06, 2010
The popularity credo
Want to be THAT girl/guy? You know, the one that's always dressed right, the center of conversations, the one that gets invited everywhere! You can be him/her- Now you too can get all the jokes and never be sidelined again! Why would you want to be the one in the corner when you could be the star of every show, every time? Follow these instructions, and you should be there in no time ! :)
Conversations-
1. Only discuss 'patriotic' things- Football (not soccer), tailgating and those immigrants that ruin your life.
2. Forget absolute truth. The only important facts are the ones that work in your favor.
3. Smile often, however meaningless. If possible, fling yourself at people at intervals and hug them randomly.
Looks-
4. Spend all your available hours online, 'researching' the latest colors and trends. It helps to just buy everything on the 'look' in a single purchase. Plus, free shipping!
5. Gym mindlessly. Tell people you run. Run because it is popular. All these things are much more effective than doing something you might actually enjoy.
6. Count calories. But go to Tim Horton's anyway- how can you not hang out with the guys/ chicks?
Personality-
7. Reference #1. Don't waste your time trying to figure out what you like or who you are. What does that matter?
8. Drink often. Or just get drunk often. It helps you fit in at the tailgating parties.
9. Read the reviews. When discussing books/movies/ art, it helps to be able to say what everyone else is thinking.
10. Complete selflessness. Your personal mantra- I am what is in today, I am what is popular, I am merely a vessel for your greater thoughts, O Latest Trends.
Conversations-
1. Only discuss 'patriotic' things- Football (not soccer), tailgating and those immigrants that ruin your life.
2. Forget absolute truth. The only important facts are the ones that work in your favor.
3. Smile often, however meaningless. If possible, fling yourself at people at intervals and hug them randomly.
Looks-
4. Spend all your available hours online, 'researching' the latest colors and trends. It helps to just buy everything on the 'look' in a single purchase. Plus, free shipping!
5. Gym mindlessly. Tell people you run. Run because it is popular. All these things are much more effective than doing something you might actually enjoy.
6. Count calories. But go to Tim Horton's anyway- how can you not hang out with the guys/ chicks?
Personality-
7. Reference #1. Don't waste your time trying to figure out what you like or who you are. What does that matter?
8. Drink often. Or just get drunk often. It helps you fit in at the tailgating parties.
9. Read the reviews. When discussing books/movies/ art, it helps to be able to say what everyone else is thinking.
10. Complete selflessness. Your personal mantra- I am what is in today, I am what is popular, I am merely a vessel for your greater thoughts, O Latest Trends.
Sunday, July 04, 2010
Moving on
I am afraid to cut the tags on these clothes. New clothes, for a new life. Across a continent they will fly, with the tags of my fear trailing behind. A simple line to cross, from precaution to paranoia. After years of waiting and hoping, I find myself suddenly unable to hold on to the right side of that line. Through so many dark months I have waited and prayed, prepared for the worst, and now- I am unable to have faith in the best. The self that I believed in, that held on to strong words and courage, laughed through hunger and hurt and disbelief and fear seems suddenly dead. Replaced instead by a woman that trembles at good fortune, and leaves the tags on the new clothes, leaves the boxes half-packed. Having spent my strong self on hope, the shell that remains is lost, unsure of what to do with the future that was once hoped for.
The only certainty that remains is uncertainty, this sureness that fortune is not in my hands. The girl that called to the winds and trusted the universe to hold her up in flight suddenly cowers under this single certainty- that the winds are treacherous; they turn without warning and dance to malicious calls that I do not hear.
And so I leave the tags on the clothes, in case they must be returned. And I leave the boxes half-packed, unsure of where to send them and when. I worry about what comes next, even as I say I have lived through the worst. And when I am spent with fear, I free fall with the words of my favorite poet, that give way under my feet and don't even attempt to hold me up-
"Ek sailaab tha, sara ghar beh gaya. Phir bhi jeene ka, thoda sa dar reh gaya."
(The flood washed all of my home away. And despite that, I am still a little afraid to live.)
The only certainty that remains is uncertainty, this sureness that fortune is not in my hands. The girl that called to the winds and trusted the universe to hold her up in flight suddenly cowers under this single certainty- that the winds are treacherous; they turn without warning and dance to malicious calls that I do not hear.
And so I leave the tags on the clothes, in case they must be returned. And I leave the boxes half-packed, unsure of where to send them and when. I worry about what comes next, even as I say I have lived through the worst. And when I am spent with fear, I free fall with the words of my favorite poet, that give way under my feet and don't even attempt to hold me up-
"Ek sailaab tha, sara ghar beh gaya. Phir bhi jeene ka, thoda sa dar reh gaya."
(The flood washed all of my home away. And despite that, I am still a little afraid to live.)
Monday, June 28, 2010
Butterfly words
.. flit through the heart, like the prickle of pain on old scars stretching.
"Hope is home, and the heart is free."
Words held like a rosary through many long nights, faithless words, empty words, words that fought to live across years and years. Strong words, resonating with wisdom I could not comprehend, words that I cling to, with faith not quite blind but not quite seeing either. Because seeing is believing, after all.
"Hope is home, and the heart is free."
Words held like a rosary through many long nights, faithless words, empty words, words that fought to live across years and years. Strong words, resonating with wisdom I could not comprehend, words that I cling to, with faith not quite blind but not quite seeing either. Because seeing is believing, after all.
Thursday, June 24, 2010
Linkage disequilibrium
Non-random. Two forms of a gene, not necessarily identical, nor in the same place. Sometimes, even on different pieces of DNA altogether. For many, many reasons, they should not link. Should not move together in evolutionary space-time without obvious reason. Yet they do.
Insomnia. The internet. Too much coffee, too much work. Too little time. Two continents and a 12 hour time difference should equal less connection.
But through your nights and my days, we write together. Through my days and your nights, we still share- Music. Work. Ideas. Coffee.
Plugged in to conversations with my mother, still. Remember birthdays from another lifetime.
Tuned out of randomness. Workplace small talk. Who used the last of the cells Who stuffed tips last Send out those emails asap. On the same plane, meaningless.
I move like an allele linked to another place, another time. In happy disequilibrium.
Insomnia. The internet. Too much coffee, too much work. Too little time. Two continents and a 12 hour time difference should equal less connection.
But through your nights and my days, we write together. Through my days and your nights, we still share- Music. Work. Ideas. Coffee.
Plugged in to conversations with my mother, still. Remember birthdays from another lifetime.
Tuned out of randomness. Workplace small talk. Who used the last of the cells Who stuffed tips last Send out those emails asap. On the same plane, meaningless.
I move like an allele linked to another place, another time. In happy disequilibrium.
Tuesday, June 08, 2010
Middle ground
Once upon a time, in sunset hues in a distant land, my father held Lehninger's Biochemistry on his lap and explained glycolysis and enantiomers, the cycles within cycles of breathing and respiration. In that same golden light, my mother's voice beckoned, the rhythm of Tennyson's Brook exacted to scientific precision, each word clear as the molten glass alchemists shaped once.
Now words flounder and stand bunched up in the spotlight, refugees fleeing clarity and fearing shadow. At work, I must write to simplify. The rhythms of oxidative phosphorylation and voltage-gated ion channels must be broken down, glued together with what's popular and catchy to appeal to the masses.'Science' must not be speculative. 'Interesting' is sacrificed and turned into the accurate, as if the two must necessarily be mutually exclusive.
To my eye, sunlight bouncing off chlorophyll and phytopigments is still poetry, still worth lyrics set to metered rhyme as precise as the electrons dancing. But I am told poetry must not be scientific or lucid, poetry may only be in abstract terms that complicate the most basic human emotions. Are emotions less meaningful because they have scientific explanations, or beauty lost because there is an explanation to it?
I teeter on the scales, searching for the middle ground where both sides of my childhood can still exist in that same equal, golden light.
Now words flounder and stand bunched up in the spotlight, refugees fleeing clarity and fearing shadow. At work, I must write to simplify. The rhythms of oxidative phosphorylation and voltage-gated ion channels must be broken down, glued together with what's popular and catchy to appeal to the masses.'Science' must not be speculative. 'Interesting' is sacrificed and turned into the accurate, as if the two must necessarily be mutually exclusive.
To my eye, sunlight bouncing off chlorophyll and phytopigments is still poetry, still worth lyrics set to metered rhyme as precise as the electrons dancing. But I am told poetry must not be scientific or lucid, poetry may only be in abstract terms that complicate the most basic human emotions. Are emotions less meaningful because they have scientific explanations, or beauty lost because there is an explanation to it?
I teeter on the scales, searching for the middle ground where both sides of my childhood can still exist in that same equal, golden light.
Monday, May 31, 2010
Grass
It is everywhere, underfoot in everyone's life. Nowhere of consequence, and still everywhere. In the end, everything returns to the earth and turns to grass. And it is nothing, of no importance, really. Even at the end, who thinks of grass as their next destination?
When I am sad, I turn to the grass. It is everywhere, and I can turn to it through crowded streets and rainy windows. Unnoticed, I slip into it, anywhere and everywhere. Like grass, I can be nowhere and nobody, anywhere. Un-peopled, a grassy world is a happy place. It is people that make me unhappy.
When I am sad, I turn to the grass. It is everywhere, and I can turn to it through crowded streets and rainy windows. Unnoticed, I slip into it, anywhere and everywhere. Like grass, I can be nowhere and nobody, anywhere. Un-peopled, a grassy world is a happy place. It is people that make me unhappy.
Being judgemental
When asked for an opinion, you wrap it up in words like these- Might be, perhaps, "to them it's the right thing, and who am I to judge?"
Perhaps you are right, and I might be wrong, in forming opinions in complete sentences. To them it may be the right thing to do, but I am asking about you. Who aren't you, that you would deny yourself the right to an opinion, a thought, conviction in your own beliefs? In this limited space-time, why not frame your personality in words that express your self with conviction, your views punctuated clearly in the light of your own reasoning?
It is a contradiction to think that one of my firmest beliefs is in being individualistic- to 'let' others do what they want without forcing them to change, give people the space and time they need for self-realization. But I have this need to evaluate, weigh the actions of one against the other and in the difference frame another facet of my understanding. After the balancing, they may step off my mental scales and go back to being themselves, but I seem unable to let go off this process. You, on the other hand, have no problems with never considering, never balancing and accepting unconditionally. They are what they are, and I am what I am. Why must we weigh and measure that as greater or this as lesser?
I find myself in the tilt of those scales, in the balancing act that helps me decide how to live my life as myself. And I ask you now- where do you find yourself, in this unconditional sea of unthinking acceptance? How, in the million ways of living a life and being happy, do you decide which one you want?
Perhaps you are right, and I might be wrong, in forming opinions in complete sentences. To them it may be the right thing to do, but I am asking about you. Who aren't you, that you would deny yourself the right to an opinion, a thought, conviction in your own beliefs? In this limited space-time, why not frame your personality in words that express your self with conviction, your views punctuated clearly in the light of your own reasoning?
It is a contradiction to think that one of my firmest beliefs is in being individualistic- to 'let' others do what they want without forcing them to change, give people the space and time they need for self-realization. But I have this need to evaluate, weigh the actions of one against the other and in the difference frame another facet of my understanding. After the balancing, they may step off my mental scales and go back to being themselves, but I seem unable to let go off this process. You, on the other hand, have no problems with never considering, never balancing and accepting unconditionally. They are what they are, and I am what I am. Why must we weigh and measure that as greater or this as lesser?
I find myself in the tilt of those scales, in the balancing act that helps me decide how to live my life as myself. And I ask you now- where do you find yourself, in this unconditional sea of unthinking acceptance? How, in the million ways of living a life and being happy, do you decide which one you want?
Wednesday, May 19, 2010
Strength training
There has always been this refrain, in the background.
Lose ten pounds.
Pretty. Dark. Big. Graceful.
Lose ten pounds.
Wide hips. Bad skin. Great hair. Big feet.
Lose ten pounds.
Through years and phases, swinging through all my memory of childhood and beyond, are these words. Physical descriptors, half-pleasant, half-unpleasant. The day I overheard my PT instructor pass a comment about my giant hips, and the same evening that the ladies in the temple gushed over me, asking if I was the dancer scheduled for the evening's performance. The day I was supposed to be sleeping, when a despairing maiden aunt asked my mother- "She's so dark and fat, make sure she loses weight or you will never find a groom." I was twelve. Being told, through acne and awards, top marks and good writing and terrible physics, to lose ten pounds to look good. As if they were all that stood between me and confidence, success and true love.
Confused, I chose to lose the body, in dreams that left me single, and preferably invisible. And when the refrain changed, it only confused me more. Suddenly, it is acceptable to be unhealthily obese and still consider oneself lovely. There are opinions and clothes and people and places that have expanded to fit these sizes, and I am still confused, unsure whether to stand when they call for the petites or the large-framed women, the tall or the average or the perfectly-toned. I am lost in many descriptors- It is only one body, and I don't know where to place it.
I see-saw in self images, the woman's compliments struggling to outweigh the child's hurt, all over an image and size that has remained largely unchanged. I've asked, over and over- Am I beautiful? And never believed the answer yes, because beauty itself was so hard to define, it seemed. Of late, this is my answer- Lift the weight, don't obsess over losing it. Don't avoid the comments, just outrun them.
And I forget them all, in the hardest, most comforting way I have found. Beauty is in strength, in knowing my possibilities and reaching past my toes, and resilience is in beauty, expanding my limits as my arm arches overhead, weights in hand. And beauty and strength come together in the most perfect way possible when I run, in the feel of road and wind and sun.
And to all those words that I questioned myself with, I have an answer that pleases both the child and the woman within.
"Oh you're so pretty!"
Perhaps, but I can run 20 miles.
"You'll never get those jeans past those hips."
Perhaps, but I can still run 20 miles.
In strength and health, in the light of my clear, fatigued mind after a run, my body becomes visible to me, slowly. Just as it is, and it fits me perfectly, regardless of the perceptions its sometimes squeezed into.
Lose ten pounds.
Pretty. Dark. Big. Graceful.
Lose ten pounds.
Wide hips. Bad skin. Great hair. Big feet.
Lose ten pounds.
Through years and phases, swinging through all my memory of childhood and beyond, are these words. Physical descriptors, half-pleasant, half-unpleasant. The day I overheard my PT instructor pass a comment about my giant hips, and the same evening that the ladies in the temple gushed over me, asking if I was the dancer scheduled for the evening's performance. The day I was supposed to be sleeping, when a despairing maiden aunt asked my mother- "She's so dark and fat, make sure she loses weight or you will never find a groom." I was twelve. Being told, through acne and awards, top marks and good writing and terrible physics, to lose ten pounds to look good. As if they were all that stood between me and confidence, success and true love.
Confused, I chose to lose the body, in dreams that left me single, and preferably invisible. And when the refrain changed, it only confused me more. Suddenly, it is acceptable to be unhealthily obese and still consider oneself lovely. There are opinions and clothes and people and places that have expanded to fit these sizes, and I am still confused, unsure whether to stand when they call for the petites or the large-framed women, the tall or the average or the perfectly-toned. I am lost in many descriptors- It is only one body, and I don't know where to place it.
I see-saw in self images, the woman's compliments struggling to outweigh the child's hurt, all over an image and size that has remained largely unchanged. I've asked, over and over- Am I beautiful? And never believed the answer yes, because beauty itself was so hard to define, it seemed. Of late, this is my answer- Lift the weight, don't obsess over losing it. Don't avoid the comments, just outrun them.
And I forget them all, in the hardest, most comforting way I have found. Beauty is in strength, in knowing my possibilities and reaching past my toes, and resilience is in beauty, expanding my limits as my arm arches overhead, weights in hand. And beauty and strength come together in the most perfect way possible when I run, in the feel of road and wind and sun.
And to all those words that I questioned myself with, I have an answer that pleases both the child and the woman within.
"Oh you're so pretty!"
Perhaps, but I can run 20 miles.
"You'll never get those jeans past those hips."
Perhaps, but I can still run 20 miles.
In strength and health, in the light of my clear, fatigued mind after a run, my body becomes visible to me, slowly. Just as it is, and it fits me perfectly, regardless of the perceptions its sometimes squeezed into.
Monday, May 03, 2010
Middle ground-1
Once upon a time, in sunset hues in a distant land, my father held Lehninger's Biochemistry on his lap and explained glycolysis and enantiomers, the cycles within cycles of breathing and respiration. In that same golden light, my mother's voice beckoned, the rhythm of Tennyson's Brook exacted to scientific precision, each word clear as the molten glass alchemists shaped once.
Now words flounder and stand bunched up in the spotlight, refugees fleeing clarity and fearing shadow. At work, I must write to simplify. The rhythms of oxidative phosphorylation and voltage-gated ion channels must be broken down, glued together with what's popular and catchy to appeal to the masses.'Science' must not be speculative. 'Interesting' is sacrificed and turned into the accurate, as if the two must necessarily be mutually exclusive.
To my eye, sunlight bouncing off chlorophyll and phytopigments is still poetry, still worth lyrics set to metered rhyme as precise as the electrons dancing. Poetry must not be scientific or lucid, poetry may only be in abstract terms that complicate the most basic human emotions. Are emotions less meaningful because they have scientific explanations, or beauty lost because there is an explanation to it?
I teeter on the scales, searching for the middle ground where both sides of my childhood can still exist in that same equal, golden light.
Now words flounder and stand bunched up in the spotlight, refugees fleeing clarity and fearing shadow. At work, I must write to simplify. The rhythms of oxidative phosphorylation and voltage-gated ion channels must be broken down, glued together with what's popular and catchy to appeal to the masses.'Science' must not be speculative. 'Interesting' is sacrificed and turned into the accurate, as if the two must necessarily be mutually exclusive.
To my eye, sunlight bouncing off chlorophyll and phytopigments is still poetry, still worth lyrics set to metered rhyme as precise as the electrons dancing. Poetry must not be scientific or lucid, poetry may only be in abstract terms that complicate the most basic human emotions. Are emotions less meaningful because they have scientific explanations, or beauty lost because there is an explanation to it?
I teeter on the scales, searching for the middle ground where both sides of my childhood can still exist in that same equal, golden light.
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